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Out in Theaters: ‘DEMOLITION’

Life has a tendency to zip forward on a single, amusement ride track until something or someone comes barreling out of the shadows of entropy to buck your stated momentum and set you serendipitously down a new path. 17th century physicist Isaac Newton described the phenomenon in which colliding forces impress upon one another an equal and opposite reaction in his famous Third Law, which describes both why someone struck by a moving vehicle would find their chest caved in and someone catching a bad edge going a cool 30 mph on decade old skis would find their wrist contorted in all kinds of wrong directions. Read More

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Out in Theaters: ‘EVERYBODY WANTS SOME!!’

There’s a moment in Richard Linklater’s Everybody Wants Some where four collegiate athletes hover around an overstuffed bong, listening to the psychedelic crackle of Led Zeppelin, competing to see who can take the biggest bong rip.  It’s an indisputably Linklater moment, one that speaks to the essence of the Austin filmmaker’s disco baseball comedy that forces one to meditate on what friendship and camaraderie meant before the advent of cell phones. There is an enviable sense of authentic connection found in this communal stoned passage, one that finds itself increasingly diluted by distraction in modern day conversation, that’s undercut by an overarching spirit of competition. Community and competition – two forces that rally to make Linklater’s latest film a low key, nostalgiacore home run. Read More

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Summer 2016 Preview – 28 Movies Better than Half-Hearted Suntanning

Sure it’s not quite summer yet but a few 70 degree days have gone to our heads and we’ve decided to do some spring cleaning. Thus the Summer 2016 Movie Preview! The aim of this comprehensive guide is to get you geared up for the coming sunny months, where you fair reader will holed up inside to watch moving pictures on monumentally-sized screens. As  can be expected, there is no shortage of spectacle this summer. You can almost rear the bleating of dump trucks reversing bloated piles of studio tentpoles to dump at our feet as we speak. Will there be a diamond in the rough this summer the likes of Mad Max: Fury Road? We don’t think so but hey, we can dream. With almost 4000 words to delve through below, we won’t stall any longer getting into the 28 films we think might just be worth foregoing a few hours of sun to see. Read More

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Talking With Jeff Nichols of ‘MIDNIGHT SPECIAL’

Director Jeff Nichols faces his biggest obstacle yet this upcoming weekend: the general public. Reviews for his fourth feature film have been largely favorable so far, with a very warm SXSW debut reception, but Midnight Special launches the Arkansas filmmaker into the spotlight in a big way. With a considerable marketing push behind it and general critical support (the film is “certified fresh” at a lofty 86% on Rotten Tomatoes as of writing this), the cards look good for Nichols’ biggest picture yet. Read More

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Out in Theaters: ‘MIDNIGHT SPECIAL’

Jeff Nichols is very quickly solidifying himself as a distinct and essential American voice. The 37-year old Arkansas native blends the mystic nostalgia of Steven Spielberg’s great wonders with the romanticized bayou lyricism of a Mark Twain novel. The result is often staggering,  the heavy, heady crossroads of lock stock ultra violence and meaningfully sentimental morality plays. In 2012, Nichols’ snaggle-toothed fable Mud sounded the starting gun for the McConaissance, just as he basically introduced the world to Michael Shannon as a leading man in 2011’s Take Shelter. More than just a emcee for introducing (or reintroducing) us to new or reinvigorated talent,  Nichols has emerged as a bold writer/director willing to take big risks and reap big rewards and Midnight Special, a work of great wonder and beauty, is blinding evidence of this fact. Read More

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Blu-Ray Review: ‘THE HATEFUL EIGHT’

Synopsis:  “While racing toward the town of Red Rock in post-Civil War Wyoming, bounty hunter John “The Hangman” Ruth (Kurt Russell) and his fugitive prisoner (Jennifer Jason Leigh) encounter another bounty hunter (Samuel L. Jackson) and a man who claims to be a sheriff. Hoping to find shelter from a blizzard, the group travels to a stagecoach stopover located on a mountain pass. Greeted there by four strangers, the eight travelers soon learn that they may not make it to their destination after all.” Read More

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Out In Theaters: ‘KRISHA’

Every family has its black sheep, a fact made immeasurably more palpable during each and every holiday celebration or dreaded family reunion. Every hug (or handshake), every warm look (or lack thereof), each and every laugh (or sinister snicker) comes loaded with accidental intent, long-lingering feelings that peel back the jaded historicity of who we are: the stories that define us and the rumors that plague us. In the immobile stasis of familial arbitrations, lines are always drawn in the sand, alliances cropping up and breaking down like an especially dramatic episode of Survivor. In Krisha, we find a hunched carpetbagger of a woman reentering the wary arms of the same family that turned its back on her years ago, unable to put up with one more manic fit brought on by her unwavering addiction. Read More

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Out in Theaters: ‘BATMAN V SUPERMAN: DAWN OF JUSTICE’

Overlong and under-focused, Batman v Superman: Dawn of Justice is a deceptively dark furlough into the blackest corner of DC’s batcave where men battle gods, Wonder Woman finally gets the spotlight (guitar solo and all), Jesse Eisenberg puts on an entertainingly manic Lex Luthor face, and none of it feels like much fun. As expected, the heavy-handed fog that is 155 minutes of super-porn allows itself splashes of clear-eyed splendor, most notably those that center around Ben Affleck’s positively boiling Batman, but Batman v Superman hardly has the desired ratio of grandeur to gratuity to do the battle of the century it’s pitched as justice. Read More

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SXSW ’16 Review: ‘TRANSPECOS’

Like a lens flare cast from No Country For Old Men or an arresting never-before-seen side plot from Breaking Bad, Transpecos sets us on the belt buckle region of the Mexican-American border. In a diminutive shanty of a migra outpost – in essence, a tollbooth and boom barrier – three glorified crossing guards witness hell break loose when a cartel scheme goes belly up. Greg Kwedar’s daring debut is part sun-scotched moral meditation, part adrenaline-fueled character thriller, handsomely brought to life with crisp, concise storytelling and effective, affecting performances that casts a meaningful glance at border politics and the wolves that lie in wait. Read More

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SXSW ’16 Review: ‘IN A VALLEY OF VIOLENCE’

If you had told me that John Travolta would comeback from his recent Academy Award persona butchery (2014’s “Adele Dazeem”, 2015’s repulsively awkward Scar-Jo sneak-a-kiss) by playing a sand-blasted moral compass in a Ti West Western (a Western, it must be noted, that is of the genre through and through, absent of the horror flair that has, up to this point, characterized the filmmaker’s oeuvre), I woulda spit my cud. But Travolta is as present for In a Valley of Violence as it is a corn-fed, all-American, organically certified Western. Consider my head scratched. Read More