This shantytown import from South Korea sees a voyeur stalked and killed by criminals before seemingly being reincarnated and forced to live out his attack over and over again under different circumstances. Structured a bit like a choose your own adventure book when you keep running into the wrong ending and starting over, Alone covers a lot of narrative ground, forklifting dramatic and romantic plotlines into its dreamlike psycho-thriller framework to mixed effect. The result is kaleidoscopic and disorienting but the individual moments contribute dramatic heft to Park Hong-min’s altered state cinema. When all is said and done, it’s tough to parse fiction from reality and, most frustratingly, if anything ever even happened at all. (C+)
*Capsule reviews of 100 words from the Seattle International Film Festival.
Follow Silver Screen Riot on Facebook
Follow Silver Screen Riot on Twitter
-
By: Matt Oakes
Started blogging about film in college when the university paper wouldn’t have him. Dislikes your consensus film Twitter favorites. Devotee of horror movies that make him die a little inside. Catches films at festivals when he can. Proud SFCS and OFCS member and Tomatometer-approved critic. Editor-in-chief of Silver Screen Riot.
-
-
Every Ridley Scott Movie, Ranked: The Good, the Bad and the Ugly
‘THE ONLY LIVING PICKPOCKET IN NEW YORK’ May Steal Your Affections
The Best Free Movies Streaming Right Now, Service by Service
The Best Free Movies on Fandango at Home Right Now (October 2026)
The Best Free Movies on Pluto TV Right Now (October 2026)
Monthly(ish): the best reviews, the worst studio decisions, and the films worth losing sleep over.
Free. Delivered by Substack. Unsubscribe anytime.
For more reviews, interviews, and featured articles, be sure to:
Follow Silver Screen Riot on Letterboxd
Follow Silver Screen Riot on Facebook
Follow Silver Screen Riot on X
