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Hold Onto Your Butts, J.J. Abrams to Direct STAR WARS 7

 

 

The days of speculation and doubt can end, as J.J. Abrams (Lost, Star Trek) has officially been confirmed as the director for the seventh entry to the Star Wars saga. TheWrap has reported that although Abrams initially turned down the offer from producer Kathleen Kennedy, he has had a change of heart. As in, they most likely offered him an offensive amount of money.

Now while this may get some giddy little cheers of excitement from most fans of Star Wars, the sci-fi genre, movies or life in general, this is something a little off about this choice.

Abrams aptly proved that he could handle the whole sci-fi fare when he rebooted/re-invented the Star Trek series for a new generation. As someone who wasn’t even a fan of the franchise, Abrams did a fantastic job at investing new comers and old fans alike. I tipped my hat to him and thanked him for a job well done.

So what’s funky about him taking the mantle of Star Wars? Oh maybe just the fact that now he’s in charge of both Star Wars and Star Trek! One man for two massive, massive franchises both beginning with the word star? My mind is blown.

In all fairness though, I think this is one of the best decisions Disney could have made. Now we wait until 2015 to see the result. As for how this will all fit into the rumored Samurai Star Wars flick, who’s to say.

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Teaser Trailer for Second Half of THE WALKING DEAD Season 3

 

http://img2.timeinc.net/ew/i/2013/04/01/The-Walking-Dead-Finale-Governor-3.jpg
The opening half of season 3 of AMC‘s The Walking Dead is arguably the best material from the series thus far. It upped the body count (both human and zombie), offered some of the most memorable zombie kills to date and offed some über-obnoxious characters that have been a stain on the show since the get-go.

The Glen Mazzara-headed season 3 continued to pave it’s own way, only slightly following the plot points of  Robert Kirkman’s beloved graphic novels. The general storyline from the graphic novels — Governor vs. Rick, the introduction of Michonne and the ever important prison setting — have been established in detail but now it’s time for all hell to break loose for the remainder of the season.

Check out the trailer below:

 
http://www.youtube.com/watch?v=HCtXYFp9kJ8
For those who haven’t been following the latest news, The Walking Dead has ran ashore of more creative complications. You’ll remember that at the season 2 midpoint, show-runner Frank Darabont stepped down due to “creative differences” and his helm was passed unto Glen Mazzara.

Following suit, Mazzara has also stepped aside passing the mantle to executive producer Scott Gimple. Mazzara is onboard to do post production work for part deux of season three but the next season, numero four, will fall solely into Gimple’s hands. The loss of Mazarra is certainly disappointing as he has created the best Walking Dead to date.

All these disputes and difficulties surely point to some major problems over at AMC and draws the longevity of the series into question. Will AMC be able to keep this third show runner on for more than a season? Will the ongoing creative differences end up putting the series to bed?

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First Trailer for Drug-Addled, Gun Slingin' SPRING BREAKERS

 

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My interest in Spring Breakers just went from 0 to 60 after watching this winning first trailer. The central narrative flips the common men-with-guns premise on it’s head and looks to be painted upon a hallucinogenic visual pallet.

Guns, drugs, violence and sexy ladies– what’s there not to like? Add a meat-headed rapper/drug-dealer James Franco and this film all of a sudden looks exactly like the kind of film I want to see.

 
http://www.youtube.com/watch?v=aEELpkShzFc
Directed by Harmony Korine and starring James Franco, Selena Gomez, Vanessa Hudgens, Ashley Benson and Rachel Korine, Spring Breakers is slated to hit theaters on March 22.

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Golden Globes Shake Things Up

 

Ladies and gentlemen the 2013 Award’s race just got that much more interesting. While some awards helped confirm who our Oscar locks really are, some threw a surprising wrench in the proverbial spokes. As some films like ‘Argo’ and ‘Les Miserables’ pick up steam, others like ‘Lincoln’ and ‘Silver Linings Playbook’ seem to be running of fumes for that final Oscar win.

Below you’ll find the winners and my commentary.

BEST MOTION PICTURE (Drama)

  • Argo
  • Django Unchained
  • Life of Pi
  • Lincoln
  • Zero Dark Thirty

So let’s start big. Argo winning the Globes is far from securing it at the top slot for the Oscars, as those are a whole different bag of tricks, but it does really do a number for Lincoln‘s standings.  The fact that Lincoln only took home one Globe for Best Actor, which what else can you expect from DDL, doesn’t do much in terms of momentum going forward. Do we have a new frontrunner in Argo? The fact that Ben Affleck didn’t even get nominated surely points to a no but it definitely has more momentum and more backing from other institutions at this point.

BEST MOTION PICTURE (Comedy or Musical)

  • Les Miserables
  • The Best Exotic Marigold Hotel
  • Moonrise Kingdom
  • Salmon Fishing in the Yemen
  • Silver Linings Playbook

We all know that the Academy Awards don’t block things off into Drama and Comedy/Musical and seeing that Drama is nearly always the more prestigious category, we can assume that this Les Mis win won’t do a whole lot on its own for her Oscar standings. I’m still keeping this one

BEST DIRECTOR

  • Ben Affleck – Argo
  • Kathryn Bigelow – Zero Dark Thirty
  • Ang Lee – Life of Pi
  • Steven Spielberg – Lincoln
  • Quentin Tarantino – Django Unchained 

Talk about a shake up. Afflect, at this point, seems to have more momentum than any other director out there and yet HE’S NOT EVEN IN THE RUNNINGS FOR THE OSCARS. Nor are fellow nominees Bigelow or Tarantino, essentially making the race between Spielberg, Lee and O’Russell. There’s no way that the little gold guy goes to Haneke or Zeitlin because neither have an sway or much precedence at the Oscar table. Haneke’s nomination only comes from the overflow of love for Amour where the rest of his career has been dismissed at best and hated at worst. Zeitlin is a first time director and while he managed to capture an otherworldly sense of realism with Beasts, he’s clearly running in last place with no foreseeable chance at winning.

BEST ACTOR IN A MOTION PICTURE (Drama)

  • Daniel Day-Lewis – Lincoln
  • Richard Gere – Arbitrage
  • John Hawkes – The Sessions
  • Joaquin Phoenix – The Master
  • Denzel Washington – Flight

No suprises here. DDL has this one on lock.

BEST ACTOR IN A MOTION PICTURE (Comedy or Musical)

  • Hugh Jackman – Les Miserables
  • Jack Black – Bernie
  • Bradley Cooper – Silver Linings Playbook
  • Ewan McGregor – Salmon Fishing in the Yemen
  • Bill Murray – Hyde Park on Hudson

 Looks like Jackman is the only real contender for DDL’s crown come February but the signs are all pointing the other way. Be happy with the Globe Jackman, even though, in this guy’s opinion, you didn’t deserve it this time around.

BEST ACTRESS IN A MOTION PICTURE (Drama)

  • Jessica Chastain – Zero Dark Thirty
  • Marion Cotillard – Rust and Bone
  • Helen Mirren – Hitchcock
  • Naomi Watts – The Impossible
  • Rachel Weisz – The Deep Blue Sea

This is where things get interesting. Essentially, we have a two woman race for Best Actress between Jessica Chastain and Jennifer Lawerence and the fact that they both won their respective categories but didn’t have to fact each other down head to head offers little knowledge as to what the final verdict will be. I don’t know quite where I stand on this one but with momentum on Chastain’s side, I’m going to have to go with her even though I’d prefer a Lawrence win.

BEST ACTRESS IN A MOTION PICTURE (Comedy or Musical)

  • Jennifer Lawrence – Silver Linings Playbook
  • Emily Blunt – Salmon Fishing in the Yemen
  • Judi Dench – The Best Exotic Marigold Hotel
  • Maggie Smith – Quartet
  • Meryl Streep – Hope Springs

See above for commentary on this field.

BEST SUPPORTING ACTOR IN A MOTION PICTURE

  • Christoph Waltz – Django Unchained
  • Alan Arkin – Argo
  • Leonardo DiCaprio – Django Unchained
  • Philip Seymour Hoffman – The Master
  • Tommy Lee Jones – Lincoln

After having the other four nominees locked for the better part of the year, Waltz has managed to slip into the final slot and shockingly best his fellow contenders. Does this mean that we can expect a win for Waltz at the Oscars? Well let’s just say it puts him in a very strong position.

BEST SUPPORTING ACTRESS IN A MOTION PICTURE

  • Anne Hathaway – Les Miserables
  • Amy Adams – The Master
  • Sally Field – Lincoln
  • Helen Hunt – The Sessions
  • Nicole Kidman – The Paperboy

 This one’s another lock for Best Supporting. Hathaway was stunning in Les Mis and everyone who’s only seen the trailer knows it. She’s running full power for Fantine and then some extra loving for her Catwoman portrayal, so let’s just say she’s got the cat in the bag. 

For other wins sans commentary check below.

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BEST ANIMATED FILM

  • Brave
  • Frankenweenie
  • Hotel Transylvania
  • Rise of the Guardians
  • Wreck-It Ralph

BEST FOREIGN LANGUAGE FILM

  • Amour (Austria)
  • A Royal Affair (Denmark)
  • The Intouchables (France)
  • Kon-Tiki (Norway/U.K./Denmark)
  • Rust and Bone (France)

BEST SCREENPLAY FOR A MOTION PICTURE

  • Django Unchained (Quentin Tarantino)
  • Argo (Chris Terrio)
  • Lincoln (Tony Kushner)
  • Silver Linings Playbook (David O. Russell)
  • Zero Dark Thirty (Mark Boal)

BEST SCORE FOR A MOTION PICTURE

  • Life of Pi (Mychael Danna)
  • Anna Karenina (Dario Marianelli)
  • Argo (Alexandre Desplat)
  • Cloud Atlas (Tom Tykwer, Johnny Klimek, Reinhold Heil)
  • Lincoln (John Williams)

BEST ORIGINAL SONG

  • “Skyfall” from Skyfall
  • “For You” from Act of Valor
  • “Not Running Anymore” from Stand Up Guys
  • “Safe and Sound” from The Hunger Games
  • “Suddenly” from Les Miserables

BEST TV SERIES (Drama)

  • Homeland
  • Breaking Bad
  • Boardwalk Empire
  • Downton Abbey
  • The Newsroom

BEST TV SERIES (Comedy or Musical)

  • Girls
  • Big Bang Theory
  • Episodes
  • Modern Family
  • Smash

BEST ACTOR IN A DRAMA SERIES

  • Damien Lewis – Homeland
  • Steve Buscemi – Boardwalk Empire
  • Bryan Cranston – Breaking Bad
  • Jeff Daniels – The Newsroom
  • Jon Hamm – Mad Men

BEST ACTRESS IN A DRAMA SERIES

  • Claire Danes – Homeland
  • Connie Britton – Nashville
  • Glenn Close – Damages
  • Michelle Dockery – Downton Abbey
  • Julianna Margulies – The Good Wife

BEST ACTOR IN A COMEDY OR MUSICAL SERIES

  • Don Cheadle – House of Lies
  • Alec Baldwin – 30 Rock
  • Matt LeBlanc – Episodes
  • Louis C.K. – Louie
  • Jim Parsons – The Big Bang Theory

BEST ACTRESS IN A COMEDY OR MUSICAL SERIES

  • Lena Dunham – Girls
  • Zooey Deschanel – New Girl
  • Julia Louis-Dreyfus – Veep
  • Tina Fey – 30 Rock
  • Amy Poehler – Parks and Recreation

BEST MINISERIES OR TV MOVIE

  • Game Change
  • The Girl
  • Hatfields & McCoys
  • The Hour
  • Political Animals

BEST ACTOR IN A MINISERIES OR TV MOVIE

  • Kevin Costner – Hatfields & McCoys
  • Benedict Cumberbatch – Sherlock
  • Woody Harrelson – Game Change
  • Toby Jones – The Girl
  • Clive Owen – Hemingway and Gelhorn

BEST ACTRESS IN A MINISERIES OR TV MOVIE

  • Julianne Moore – Game Change
  • Nicole Kidman – Hemingway and Gelhorn
  • Jessica Lange – American Horror Story: Asylum
  • Sienna Miller – The Girl
  • Sigourney Weaver – Political Animals

BEST SUPPORTING ACTOR IN A SERIES, MINISERIES, OR TV MOVIE

  • Ed Harris – Game Change
  • Max Greenfield – New Girl
  • Danny Huston – Magic City
  • Mandy Patinkin – Homeland
  • Eric Stonestreet – Modern Family

BEST SUPPORTING ACTRESS IN A SERIES, MINISERIES, OR TV MOVIE

  • Maggie Smith – Downton Abbey
  • Hayden Panetierre – Nashville
  • Archie Panjabi – The Good Wife
  • Sarah Paulson – Game Change
  • Sofia Vergara – Modern Family

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Zach Synder, Samurai-Inspired Star Wars Movie Heading to Theaters?

 

I’m sure you’ve all heard at this point that George Lucas sold the much beloved Star Wars franchise to Disney Corp for a whooping four billion dollars, the majority of which he donated to education-centric charities, and that a corresponding third trilogy was being prepped with Episode 7 slated for a 2014 release. This is another beast entirely. While there’s not too much news on this Zach Synder Star Wars adaptation, a few things are clear–

1) This story will not be Episode 7, nor is it likely to be a numbered addition to the saga at all.
2) The story is said to be inspired by Akira Kurosawa’s much lauded Seven Samurai
3) This experimental adaptation is unlikely to hit theaters until 2016.
4) This will run parallel to the stories told in the upcoming trilogy and won’t include any of those central characters. Cameos however are a maybe.

This is a lot to swallow considering the Episode 7 project is still without a director but it’s something we can take with a grain of salt. One thing’s for sure, it’ll be stirring up a lot of controversy and will be sure to be the talk around the water cooler, internet, communal bathing pool. Let the comments begin!

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Teaser Trailer for GAME OF THRONES Season 3

 

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While this second bit of macabre teaser marketing doesn’t come with any new footage, it features a foreboding tune and a glimpse at the mysterious three-eyed crow. Fans of the novels will know what this bit is foreshadowing but for those unfamiliar let the mystery suffice as a pallet cleanser for what is sure to be another fantastic season of Game of Thrones.

http://www.youtube.com/watch?v=RN7e_Oo0Bis
This season, breaking from the precedence of seasons one and two, will only cover the first half of author George R.R. Martin’s tome A Storm of Swords. As a massive fan of both the books and the series, I have a feeling where they will be truncating this season.

On a side note, does anyone else think this sounds like a creepier version of The Beatles’ “Happiness is a Warm Gun”?

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Oscar Nominations Offer Some Big Surprises

 

 

This year’s race certainly has proven that it’s got some cards up it’s sleeve as this mornings nominations shook things up, particularly in the directing department. There were snubs and surprises across the board but what else can you expect from the Academy? I’ll be filling you in on where my predictions lay and the percentage I actually managed to predict. Follow along to find out these year’s nominee and who missed out.


Best Picture

  • Amour
  • Argo
  • Beasts of the Southern Wild
  • Django Unchained
  •  Les Misérables
  • Life of Pi 
  • Lincoln
  • Silver Linings Playbook
  • Zero Dark Thirty 

Prediction Percentage: 9/9, 100% (with 10 nominees predicted)

The Shockers: This category was the only one that went pretty much according to plan. I had all nine of these contenders as my picks but also thought that Moonrise Kingdom may have filled that coveted tenth slot. Seems like there was little love for Wes Anderson’s latest though and the Academy went only with nine this year. As far as my predictions, I was looking pretty spot on.

Best Director

 

  • Michael Haneke “Amour”
  • Benh Zeitlin “Beasts of the Southern Wild”
  • Ang Lee “Life of Pi”
  • Steven Spielberg “Lincoln”
  • David O. Russell “Silver Linings Playbook” 

Prediction Percentage: 1/5, 20%  

The Shockers: This one is a doozy. Ask any Oscar pundit and they’ll tell you that this year’s Best Director category was straight out of left field. Now that’s not saying that anyone thinks the nominated directors are unworthy of the title, there were just more high profile directors who have been to have that position locked throughout the year.

The big names missing out are Ben Affleck, for Argo, and Kathryn Bigelow for Zero Dark Thirty, as they both felt like locks going into this morning. Hooper and Tarantino managed to stay on the sidelines as well, which isn’t shocking but most would assume that without Affleck and Bigelow, these boys might have been able to slip through.

My best guess for what went down is too many people assumed clear nominations for Bigelow and Affleck and went with their fringe favorites. It’s all pretty, in a word, shocking.

Best Actor

 

  • Bradley Cooper “Silver Linings Playbook”
  • Daniel Day-Lewis “Lincoln”
  • Hugh Jackman “Les Misérables”
  • Joaquin Phoenix “The Master”
  • Denzel Washington “Flight”

Prediction Percentage: 4/5, 80% 

The Shockers: No big shockers in this category, in fact I said that if anyone was gonna grab that spot away it would have been Phoenix but the wind had seemed to have gone out of The Master‘s hair. Apparently it had not though. Only one missing out here in John Hawkes who plays a paraplegic virgin in The Sessions.

Best Actress

 

  • Jessica Chastain “Zero Dark Thirty”
  • Jennifer Lawrence  “Silver Linings Playbook”
  • Emmanuelle Riva  “Amour”
  • Quvenzhané Wallis “Beasts of the Southern Wild”
  • Naomi Watts  “The Impossible”

Prediction Percentage: 4/5, 80%

The Shockers: Again this category didn’t offer many shockers and I’m not at all surprised that Naomi Watts claimed a spot. This category was always a six woman race and someone had to miss out, unfortunately for Marion Cotillard.

Best Supporting Actor

 

  • Alan Arkin “Argo”
  • Robert De Niro “Silver Linings Playbook”
  • Philip Seymour Hoffman “The Master”
  • Tommy Lee Jones  “Lincoln”
  • Christoph Waltz “Django Unchained”

Prediction Percentage: 4/5, 80%

The Shockers: I’m starting to see a trend with my predictions and while four for five isn’t bad at all, it’d be nice to have the perfect category. I’m slightly surprised to see Waltz nabbing that last spot because most positioning had Leo leading him and with Javier Bardem circling that last slot as well, I thought Waltz had missed out. Very happy to report that he indeed did not, if you remember from my Django review, Waltz’s performance was one of my favorites of the year.

Best Supporting Actress

 

  • Amy Adams “The Master”
  • Sally Field “Lincoln”
  • Anne Hathaway “Les Misérables”
  • Helen Hunt “The Sessions”
  • Jacki Weaver “Silver Linings Playbook”

Prediction Percentage: 4/5, 80%

The Shockers: Again, I went four for five here and the choice of Weaver is a fair one to have missed out on. I had Ann Down “Compliance” for that last slot but was very sketchy on her to say the least. I loved Silver Linings Playbook though so the more nominees it garnishes, the better. 

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That’s it for the major categories and my predictions.

For anyone keeping score my total aggregate prediction percentage ends up being: 26/34, 76%
If it weren’t for that kooky directors dodge, it would have look even prettier.

For the technical categories check below. All that I will say about those is Christoph Nolan’s The Dark Knight Rises managed to snag a crisp zero nominations. Now that’s some hardcore backlash. Ouch.

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Best Animated Film
“Brave” Mark Andrews and Brenda Chapman
“Frankenweenie” Tim Burton
“ParaNorman” Sam Fell and Chris Butler
“The Pirates! Band of Misfits” Peter Lord
“Wreck-It Ralph” Rich Moore

Achievement in Cinematography
“Anna Karenina” Seamus McGarvey
“Django Unchained” Robert Richardson
“Life of Pi” Claudio Miranda
“Lincoln” Janusz Kaminski
“Skyfall” Roger Deakins

Achievement in Costume Design
“Anna Karenina” Jacqueline Durran
“Les Misérables” Paco Delgado
“Lincoln” Joanna Johnston
“Mirror Mirror” Eiko Ishioka
“Snow White and the Huntsman” Colleen Atwood

Best Documentary
“5 Broken Cameras”
Emad Burnat and Guy Davidi
“The Gatekeepers”
Nominees to be determined
“How to Survive a Plague”
Nominees to be determined
“The Invisible War”
Nominees to be determined
“Searching for Sugar Man”
Nominees to be determined

Best Documentary Short Subject
“Inocente”
Sean Fine and Andrea Nix Fine
“Kings Point”
Sari Gilman and Jedd Wider
“Mondays at Racine”
Cynthia Wade and Robin Honan
“Open Heart”
Kief Davidson and Cori Shepherd Stern
“Redemption”
Jon Alpert and Matthew O’Neill

Achievement in Film Editing
“Argo” William Goldenberg
“Life of Pi” Tim Squyres
“Lincoln” Michael Kahn
“Silver Linings Playbook” Jay Cassidy and Crispin Struthers
“Zero Dark Thirty” Dylan Tichenor and William Goldenberg

Best Foreign Language Film
“Amour” Austria
“Kon-Tiki” Norway
“No” Chile
“A Royal Affair” Denmark
“War Witch” Canada

Achievement in Makeup and Hairstyling
“Hitchcock”
Howard Berger, Peter Montagna and Martin Samuel
“The Hobbit: An Unexpected Journey”
Peter Swords King, Rick Findlater and Tami Lane
“Les Misérables”
Lisa Westcott and Julie Dartnell

Original score
“Anna Karenina” Dario Marianelli
“Argo” Alexandre Desplat
“Life of Pi” Mychael Danna
“Lincoln” John Williams
“Skyfall” Thomas Newman

Original song
“Before My Time” from “Chasing Ice”
Music and Lyric by J. Ralph
“Everybody Needs A Best Friend” from “Ted”
Music by Walter Murphy; Lyric by Seth MacFarlane
“Pi’s Lullaby” from “Life of Pi”
Music by Mychael Danna; Lyric by Bombay Jayashri
“Skyfall” from “Skyfall”
Music and Lyric by Adele Adkins and Paul Epworth
“Suddenly” from “Les Misérables”
Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

Achievement in Production Design
“Anna Karenina”
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
“The Hobbit: An Unexpected Journey”
Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
“Les Misérables”
Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
“Life of Pi”
Production Design: David Gropman; Set Decoration: Anna Pinnock
“Lincoln”
Production Design: Rick Carter; Set Decoration: Jim Erickson

Best Animated Short Film
“Adam and Dog” Minkyu Lee
“Fresh Guacamole” PES
“Head over Heels” Timothy Reckart and Fodhla Cronin O’Reilly
“Maggie Simpson in “The Longest Daycare”” David Silverman
“Paperman” John Kahrs

Best Live Action Short Film
“Asad” Bryan Buckley and Mino Jarjoura
“Buzkashi Boys” Sam French and Ariel Nasr
“Curfew” Shawn Christensen
“Death of a Shadow (Dood van een Schaduw)” Tom Van Avermaet and Ellen De Waele
“Henry” Yan England

Achievement in Sound Editing
“Argo” Erik Aadahl and Ethan Van der Ryn
“Django Unchained” Wylie Stateman
“Life of Pi” Eugene Gearty and Philip Stockton
“Skyfall” Per Hallberg and Karen Baker Landers
“Zero Dark Thirty” Paul N.J. Ottosson

Achievement in Sound Mixing
“Argo”
John Reitz, Gregg Rudloff and Jose Antonio Garcia
“Les Misérables”
Andy Nelson, Mark Paterson and Simon Hayes
“Life of Pi”
Ron Bartlett, D.M. Hemphill and Drew Kunin
“Lincoln”
Andy Nelson, Gary Rydstrom and Ronald Judkins
“Skyfall”
Scott Millan, Greg P. Russell and Stuart Wilson

Achievement in Visual Effects
“The Hobbit: An Unexpected Journey”
Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
“Life of Pi”
Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
“Marvel’s The Avengers”
Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
“Prometheus”
Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
“Snow White and the Huntsman”
Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

Adapted Screenplay
“Argo” Screenplay by Chris Terrio
“Beasts of the Southern Wild” Screenplay by Lucy Alibar & Benh Zeitlin
“Life of Pi” Screenplay by David Magee
“Lincoln” Screenplay by Tony Kushner
“Silver Linings Playbook” Screenplay by David O. Russell

Original Screenplay
“Amour” Written by Michael Haneke
“Django Unchained” Written by Quentin Tarantino
“Flight” Written by John Gatins
“Moonrise Kingdom” Written by Wes Anderson & Roman Coppola
“Zero Dark Thirty” Written by Mark Boal

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Oscar Noms Predictions

 

The Oscars aren’t a precise science, they’re more speculation and guesswork- an aggregate of maybes based on a huge number of variables. But they’re fun to mess around with and try your hand at so these are my best bets for who we can expect to be nabbing noms come Thursday morning.

 

 

Best Picture:

 

This year has some strong Oscar contenders, the real name of the game is guessing just how many will make the cut. Since it’s such a diverse year with wins heading all over the place, I went with the maximum 10. Is this a safe bet? No. It’ll probably end up being eight or nine but I guarantee those eight or nine will include these features.

Best Director:

 

  • Steven Spielberg “Lincoln”
  • Kathryn Bigelow”Zero Dark Thirty”
  • Ben Affleck “Argo”
  • Ang Lee “Life of Pi”
  • Quentin Tarantino “Django Unchained”

I feel like it’s a lock for Spielberg, Bigelow and Affleck with Lee, Tarantino, O’Russell and Hooper battling over the last two spots. I’m going to go with Lee because he’s an old favorite amongst the industry and Hooper already won a few years back. I’m going with Tarantino because he deserves it and hopefully the academy recognizes that too. But you can pretty much can guarantee that it goes to O’Russell or Hooper over Tarantino…but I can dream.

Best Actor:

 

  • Daniel Day Lewis “Lincoln”
  • Hugh Jackman “Les Miserables”
  • Bradley Cooper “Silver Linings Playbook”
  • John Hawkes “The Sessions”
  • Denzel Washington”Flight”

I feel like Joaquin Phoenix deserved a position here but it has been a very competitive year for lead actors. If I had my play, I’d swap him out for Hugh Jackman, who I didn’t love in Les Miserables.

Best Actress:

 

  • Jessica Chastain “Zero Dark Thirty”
  • Jennifer Lawerence”Silver Linings Playbook”
  • Marion Cotillard”Rust and Bone”
  • Quvenzhane Wallis “Beasts of the Southern Wild”
  • Emmanuelle Riva “Amour”

These leading ladies all seem like locks but Naomi Watts is a really serious contender as well. If anyone’s going to grab a spot it’ll be her. When it comes to February though the battle is really between Chastain and Lawerence. On a side note, Wallis may just be one of the youngest Oscar contenders of all time at a mere nine years old.

Best Supporting Actor:

 

  • Alan Arkin “Argo”
  • Phillip Seymore Hoffman”The Master”
  • Tommy Lee Jones “Lincoln”
  • Robert De Niro “Silver Linings Playbook”
  • Leonardo DiCaprio “Django Unchained”

We have four locks with Arkin, Hoffman, Jones and De Niro but that fifth slot could go five ways. I’m going to go with DiCaprio even though I would personally give it to Christoph Waltz. Matt McConaughey (“Magic Mike”) and Javier Bardem (“Skyfall”) are sitting in the wings as well for this one.

Best Supporting Actress:

 

  • Anne Hathaway “Les Miserables”
  • Sally Field “Lincoln”
  • Helen Hunt “The Sessions”
  • Amy Adams “The Master”
  • Ann Dowd “Compliance”

This is the field I know the least about but feel the most sure of. Anne Hathaway is going to take it in the end, the only question is who will she be beating out come February? I’m sure Field will be included as will Hunt. Adams is pretty much a lock too leaving me with Ann Dowd from “Compliance,” a film I’ve yet to see but am anticipating. On the outskirts we have Jacki Weaver, Nicole Kidman, Maggie Smith and Samantha Barks.

Bringing our tally for these major award nominations to:

  • Lincoln, 5
  • Silver Linings Playbook, 4
  • Zero Dark Thirty, 3
  • Argo, 3
  • Les Miserables, 3
  • Django Unchained, 3
  • The Sessions, 2
  • Amour, 2
  • Beasts of the Southern Wild, 2
  • Life of Pi, 2
  • The Master, 2
  • Compliance, 1
  • Rust and Bone, 1
  • Flight, 1 

Check it periodically for more updates on the Award season and look for my Oscar predictions come February. 

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Out in Theaters: The Nature of Heroism in ZERO DARK THIRTY

 


“Zero Dark Thirty

Directed by Kathryn Bigelow
Starring Jessica Chastain, Jason Clarke, Kyle Chandler, Mark Strong, Joel Edgerton, Chris Pratt

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Based on the real life exploits that led to the location and assassination of Bin Laden, Zero Dark Thirty presents intelligence as a process of patience rife with moral ambiguities.

We’re introduced to our protagonist Maya, played here by Jessica Chastain, by way of a Guantanamo-esque torture sequence which happens to be her inaugural assignment after arriving fresh-faced to Pakistan. What plays out subverts our expectations of Bush/Cheney era torture tactics.

It’s less of Jack Bauer-fueled “Where is the bomb?” stylings and more a drawn-out game of carrot-and-stick lead by an outwardly bipolar interrogator, played by Jason Clarke, performing the role of both the good and bad cop but the result is equally, if not more, distressing.

This is a harsh reality where humanity is chiseled away. Like Chastain’s Maya, we know we can look away from the water-boardings taking place in front of us but that know we need to watch.

Many have pointed fingers at director Katheryn Bigelow (The Hurt Locker) and screenwriter Mark Boal (The Hurt Locker) for legitimizing the use of torture but these accusations are a little more than fuzzy.

While these factual accounts may raise an opportunity to debate American intelligence gathering techniques, to accuse Bigelow of supporting torture is analogous to accusing Coppola of aggrandizing gangster vengeance or Spielberg of reveling in dino mass murder.

A documentarian should not be held accountable for the views and mannerisms of their subjects as Bigelow should not be for hers. Her task her is to present a true story in an interesting manner- to play mediator between art and reality. In that capacity, she has exceeded herself.

But let us delve further into the film itself. Zero Dark Thirty is a slow-moving train with a foregone conclusion but the strength of the film lies in the amplification of our emotional investment which, for the most part, delivers.

The story at the center is truly miraculous and one that needed to be told. In essence, it’s the tale of a modern unsung American heroine who pursued her convictions to the point of disrepute and chastisement.

Losing nearly everything along the way, she is a woman on a mission- a mission to kill the most high profile terrorist to ever live. But don’t expect this mission to involve shadowy espionage and state-of-the-art gadgetry as most of it plays out in a cubicle. This is realism 101.

It’s hardly a spoiler to say that her goal is eventually executed but don’t expect a “Mission Accomplished” banner. No, it’s a deeper film than that- a film that explores the consequences of obsession and the nature of patience, the burying of grief and the pain of success. Lacking are the tattered flags, melodramatic victory speeches and hoorahs of pro-Americano filmmakers like Michael Bay, replaced by a more forward looking message of “where do we go from here?”

To think that this film was originally constructed without the eventual tagging of Osama Bin Laden is shocking. I truly cannot imagine this film without that cathartic pinnacle. It’s a testament to Bigelow’s talent that she could even conceive of this film prior to his eventual take down but also points to some of her flaws.

While it’s hard to pinpoint Bigelow’s intent, much of the film is a series of knitted together factoids– little vignettes that play into the overarching mission but often do little to gain much traction towards that goal. This plodding storytelling makes some moments seem inconsequential and burden the film making it at times yawnable.

Having said that, the perceived boringness does play into the central message of intelligence and heroism as patience. So is Bigelow in effect challenging the audience to undertake this same patience to prove a point about heroism? We can only wonder.

To some, Zero Dark Thirty may overindulge in its 157 minute run time, but to call the end product unfulfilling is to misunderstand the journey. This is not a ragtag, shoot-em-up, tag ‘em and bag ‘em, round up a posse, rara America scenario. This is carefully constructed, meticulously plotted realism. It’s a procedural in both product and process and the end result is a modern history lesson that sneaks an age old adage about the notion of heroism.

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Oscar Noms This Way Come

 

 

This Thursday, January 10, be prepared to find out who will be duking it out for the ownership of the much coveted little golden men as Academy Award host Seth MacFarlane will be joined by Emma Stone to announce this years Oscar nominees.

Precedence has always had the Academy president making the announcements so this year will break tradition when Stone and MacFarlane deliver the nominees at 5:30 am to the Samuel Goldwyn Theater and the masses of international press.

 For more information on the Oscars, rules, regulations, past nominees and wins please the official Academy Awards website at www.oscar.com.

Be sure to check back this Wednesday to see my Oscar nomination predictions. 

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