Curmudgeonly talk show host Katherine Newbury (Emma Thompson, essential here) has lost her edge over the years, her ratings have followed. So begins the glow up of “old crone gets new voice” that is Late Night. When amateur “diversity hire” Molly (Mindy Kaling, who also wrote the screenplay) is given a seat on Newbury’s white-male-dominant writing staff, the unlikely pair develop a working relationship that promises professional rebirth and a deeper understanding of modern entertainment tastes – to middling, and often safe, effect. The enjoyable, if forgettable, comedy from director Nisha Ganatra doesn’t have a lot of tooth to bare, nor much bold to its protest, and its dramatic impact is dulled accordingly. The film functions much like late night television, lulling watchers into an amused (if hardly impassioned) trance; momentarily entertaining but rabid for whatever upcoming slice of disposal entertainment. (B-)
A SIFF 2019 Capsule Review
[READ MORE: Our 2013 review of ‘Saving Mr. Banks‘ starring Emma Thompson]
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By: Matt Oakes
Started blogging about film in college when the university paper wouldn’t have him. Dislikes your consensus film Twitter favorites. Devotee of horror movies that make him die a little inside. Catches films at festivals when he can. Proud SFCS and OFCS member and Tomatometer-approved critic. Editor-in-chief of Silver Screen Riot.
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