Out in Theaters: ‘DEATHGASM’
Landing somewhere between Heavy Metal 2000 and the original Evil Dead, Howden's bloodletting send-up 'Deathgasm' is just the kind of silly, stupid horror party movie that people have been trying…
REVIEW
REVIEW
Out in Theaters: ‘ADDICTED TO FRESNO’
The product as a whole is reasonably entertaining during its run time, and certainly has its fair share of chuckles thanks to its pissy leading ladies, but 'Addicted to Fresno'…
REVIEW
Out in Theaters: ‘THE WALK’
A shambolic effort that matches dazzling sequences of high-wire daring with doltish storytelling, Robert Zemeckis' latest is an interesting failure but a failure nonetheless. The walk segment of 'The Walk'…
REVIEW
Out in Theaters: ‘THE MARTIAN’
A wanna-be prestige picture without the visual glamour of 'Gravity' or the emotional oomph of '2001: A Space Odyssey,' 'The Martian' is content with being a commendable piece of popcorn-crunching…
REVIEW
Out in Theaters: ‘SICARIO’
Emboldened by Roger Deakin’s screamingly accomplished cinematography, Jóhann Jóhannsson’s hypnotic score, Benicio Del Toro's unforgettable performance and Denis Villeneuve's prudent, cold-blooded direction, 'Sicario' commits cinematic terrorism against our desire for…
REVIEW
Documentary Dossier: ‘RACING EXTINCTION’
Racing Extinction is an outdated, over-produced and unfocused issue documentary whose worthwhile goals are buried in unremarkable, forgettable execution.
REVIEW
Out in Theaters: ‘STONEWALL’
General audiences will find things to like in 'Stonewall' but the fact that the LGBT community will not embrace the historically inaccurate account spells certain death for this light-hearted drama.
REVIEW
Out in Theaters: ‘TIME OUT OF MIND’
If you're really patient, 'Time out of Mind' is a character piece worth studying but not a film for the plot junkie.
REVIEW
Out in Theaters: ‘GOODNIGHT MOMMY’
A foreign, art house horror movie, 'Goodnight Mommy' is cinema for cinephiles and horror completists. Slow-moving and occasionally brutal, it will however summon sincere scares and leave audiences with permanent…
REVIEW