Out in Theaters: ‘BRIDGE OF SPIES’
Steven Spielberg has an inimitable way of turning backroom negotiations into flashes of high tension and there’s no better example of this than 'Bridge of Spies'. It’s the brand of…
In-depth film reviews of current theatrical releases, rated A through F, from someone who definitely thinks he knows more about movies than you.

Steven Spielberg has an inimitable way of turning backroom negotiations into flashes of high tension and there’s no better example of this than 'Bridge of Spies'. It’s the brand of…

Foster Wallace again: “Lynch’s movies are about images and stories that are in his head and that he wants to see made external and complexly ‘real.’ His loyalties are fierce…

'The Final Girls’ does for teen horror slashers what Cabin in the Woods did for the monster genre; it’s an uproariously meta romp that’s easily one of the best PG-13…

'Pan' manages to hit more highs and lows than most films (family-friendly or otherwise) but is ultimately ravaged by its narrative senselessness and visual apathy. Though Hugh Jackman has fun…

At Cannes, apparently Miike sent a video of himself in geisha drag apologizing for not attending. He then changed into the giant frog suit and headed to Times Square. Tourists…

Wheeling into the last act, motivations get fuzzy and a touch overwrought. Dern's final minutes on film are without ample justification as Garfield is forced to make temperament shifts all…

Strong chemistry between Mendelsohn and Reynolds ease the more predictable elements from taking hold and directors Anna Boden and Ryan Fleck's ability to slam the occasional magical surrealism into their pragmatic…

Landing somewhere between Heavy Metal 2000 and the original Evil Dead, Howden's bloodletting send-up 'Deathgasm' is just the kind of silly, stupid horror party movie that people have been trying…

The product as a whole is reasonably entertaining during its run time, and certainly has its fair share of chuckles thanks to its pissy leading ladies, but 'Addicted to Fresno'…

A shambolic effort that matches dazzling sequences of high-wire daring with doltish storytelling, Robert Zemeckis' latest is an interesting failure but a failure nonetheless. The walk segment of 'The Walk'…