Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes— the best and the rest of festival cinema.
A perfectly pleasant — if ultimately forgettable — Irish dramedy about gay author Edvard (James McArdle), who juggles the stress of an impending U.S. book tour while caring for his stroke-recovering mother (Fionnula Flanagan) and looking after the elderly mothers his friends abandoned to attend an overseas Pride Fest. Writer-director Darren Thornton delivers a quietly...
Two hours of uncut existential dread and a career-best turn from Rose Byrne, If I Had Legs I’d Kick You from writer-director Mary Bronstein is an uncomfortably intimate character study of a mother unraveling under the weight of her daughter’s medical issues and a gaping ceiling leak threatening to drown what’s left of her sanity....
It’s been a decade since the folk duo McGwyer (Tom Basden) and Mortimer (Carey Mulligan) broke up. But if Charles (Tim Key), an eccentric, well-meaning, and possibly unhinged wealthy bachelor, has anything to do with it, their reunion is imminent. He’s determined to bring them together for one last performance—both as a personal passion project...
Molly Gordon and Logan Lerman are lovers on a seemingly idyllic upstate weekend outing in writer-director Sophie Brooks’ Oh Hi!. What begins as a disgustingly cute romantic getaway takes a sharp turn when the nature of their relationship is drawn into question. Despite their easy chemistry and rollicking sex life, Lerman’s Isaac insists on keeping...
The Ugly Stepsister has already earned a reputation around Park City as the horror movie in this year’s Midnight section…the one that made an audience member puke in the aisle. For horror enthusiasts, this is the theatrical equivalent of a Michelin star. You must see this movie, etched in regurgitation. For the first 80 or...
When an obsessive fan infiltrates the inner circle of his favorite up-and-coming pop star, Oliver (Archie Madekwe)—a single-name moniker à la Prince and Beyoncé—under the guise of being an unbiased outsider, an unsettling game of cat and mouse with far-reaching implications begins. Matthew (Théodore Pellerin) sleepwalks through a lackluster existence—working a dead-end retail job, mooching...
There’s a certain irony to the fact that the zombie movie has been done to death. Enter writer-director Meera Menon, who reanimates the zombie apocalypse as a mumblecore dramedy to impressive effect. Menon’s ultra-low-budget debut feature film, Didn’t Die, is a snarky yet sincere vision of life after a mass extinction event, where the remainder...
Based on the true story of the Sing Sing prison’s “Rehabilitation Through the Arts” program, Greg Kwedar’s sensitively-told American drama is a profound act of cinematic grace. Colman Domingo, in yet another towering performance, stars as Divine G, a wrongfully jailed playwright who works with the prison population to put on theatrical productions and find...
When Lily’s (Barbie Ferreira) narcissistic father, Bob Trevino (French Stewart, unrecognizable in the role), cuts off contact with his lonely well-meaning daughter, she finds a “surrogate dad” online (John Leguizamo) who shares the same name. Their relationship blossoms into something profound and poignant, with each struggling with their own personal demons but overcoming them through...
You’ve probably heard by now that the convention-shucking horror experiment In a Violent Nature is Friday the 13th from the POV of its hulking killer. The 93-minute indie slasher is as campy—and largely uninvolving—as that premise promises. The third-person killer cam shtick wears off quickly, especially since writer-director Chris Nash’s camerawork has two modes: lurking...