BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Wednesday, April 29, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

FESTIVAL REVIEWS

Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes— the best and the rest of festival cinema.

FESTIVAL
Sundance ‘26: A Childhood Displaced in Syrian Refugee Doc ‘ONE IN A MILLION’

Sundance ‘26: A Childhood Displaced in Syrian Refugee Doc ‘ONE IN A MILLION’

Aleppo, Syria, 2025. A bombed out shell of its former self. Ten years prior, it was a flourishing city filled with bustling markets, food stalls, prayer, and congregation. Co-directors Itab Azzam and Jack MacInnes chronicle that ten year transformation through the lens of Israa, an Aleppo native. Filming for One in a Million began in...

FESTIVAL
Sundance ‘26: ‘CLOSURE’ Is an Electrifying, Devastating Search for Meaning in Loss

Sundance ‘26: ‘CLOSURE’ Is an Electrifying, Devastating Search for Meaning in Loss

Shot with cinematic flair, Michał Marczak’s Polish-language documentary Closure is a rattling search and rescue: both for an actual missing kid and the soul of the father searching. Following the disappearance of his teenage son Chris, Daniel diligently scours the Vistula River, hoping to either recover his son’s corpse or uncover some hint that he...

FESTIVAL
Sundance ‘26: ‘THE LAKE’ is a Dire Warning of an Impending Environmental Meltdown

Sundance ‘26: ‘THE LAKE’ is a Dire Warning of an Impending Environmental Meltdown

You may have heard the headlines before: without immediate intervention, an “environmental nuclear bomb” is set to go off in the Western USA, in Utah. The Lake, an urgent, fact-filled documentary from Utah-native and first-time feature documentarian Abby Ellis, starts by providing an alarming statistic: over half of the water in the Great Salt Lake...

FESTIVAL
Sundance ‘26: Commercialism, Competition Breeds Tragedy In ‘THE LAST FIRST: WINTER K2’

Sundance ‘26: Commercialism, Competition Breeds Tragedy In ‘THE LAST FIRST: WINTER K2’

In the winter of 2021, a group of 60 climbers—a mix of professional mountaineers, Sherpas, and an uncomfortably large number of novices on a paid expedition—gather at a Himalayan base camp to attempt one of the last unclaimed feats in alpine sport: summiting K2 in winter. The Last First: Winter K2, from documentarian Amir Bar-Lev,...

FESTIVAL
SIFF ‘25 Capsule Review: ‘COLOR BOOK’ Opens a Window into the Specificity of a Widower’s Grief

SIFF ‘25 Capsule Review: ‘COLOR BOOK’ Opens a Window into the Specificity of a Widower’s Grief

Rich in both place and emotion, shot in evocative black and white, and scored with delicate precision, Color Book is a heartbreaking tale of grief and perseverance. William Catlett gives a tremendous, pathos-drenched performance as Lucky, a father navigating sudden tragedy, alongside his son Mason (Jeremiah Alexander Daniels), who has Down syndrome, after the loss...

FESTIVAL
SIFF ’25 Capsule Review: Irish ‘FOUR MOTHERS’  Juggles Pride, Parents, and Predictability

SIFF ’25 Capsule Review: Irish ‘FOUR MOTHERS’  Juggles Pride, Parents, and Predictability

A perfectly pleasant — if ultimately forgettable — Irish dramedy about gay author Edvard (James McArdle), who juggles the stress of an impending U.S. book tour while caring for his stroke-recovering mother (Fionnula Flanagan) and looking after the elderly mothers his friends abandoned to attend an overseas Pride Fest. Writer-director Darren Thornton delivers a quietly...

FESTIVAL
Sundance ‘25: ‘THE BALLAD OF WALLIS ISLAND’ A Crowd-Pleasing Folk Charmer

Sundance ‘25: ‘THE BALLAD OF WALLIS ISLAND’ A Crowd-Pleasing Folk Charmer

It’s been a decade since the folk duo McGwyer (Tom Basden) and Mortimer (Carey Mulligan) broke up. But if Charles (Tim Key), an eccentric, well-meaning, and possibly unhinged wealthy bachelor, has anything to do with it, their reunion is imminent. He’s determined to bring them together for one last performance—both as a personal passion project...

FESTIVAL
Sundance ’25: ‘OH HI! – A Rom-Com with a Body Count?

Sundance ’25: ‘OH HI! – A Rom-Com with a Body Count?

Molly Gordon and Logan Lerman are lovers on a seemingly idyllic upstate weekend outing in writer-director Sophie Brooks’ Oh Hi!. What begins as a disgustingly cute romantic getaway takes a sharp turn when the nature of their relationship is drawn into question. Despite their easy chemistry and rollicking sex life, Lerman’s Isaac insists on keeping...

FESTIVAL
Sundance ’25: ‘THE UGLY STEPSISTER’ Gives Cinderella Story a Gruesome Facelift

Sundance ’25: ‘THE UGLY STEPSISTER’ Gives Cinderella Story a Gruesome Facelift

The Ugly Stepsister has already earned a reputation around Park City as the horror movie in this year’s Midnight section…the one that made an audience member puke in the aisle. For horror enthusiasts, this is the theatrical equivalent of a Michelin star. You must see this movie, etched in regurgitation. For the first 80 or...