BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Monday, May 18, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

FESTIVAL REVIEWS

Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes— the best and the rest of festival cinema.

FESTIVAL
Sundance ‘26: ‘SILENCED’ Relitigates the Amber Heard–Johnny Depp Trial Through the Lens of Weaponized Defamation Law

Sundance ‘26: ‘SILENCED’ Relitigates the Amber Heard–Johnny Depp Trial Through the Lens of Weaponized Defamation Law

Historically, men would duel to the death when their reputations were tarnished, but international human rights lawyer Jennifer Robinson argues that “too many men were dying that way, so they introduced defamation laws.” This was supposed to be a more civilized method—allow legal practitioners to decide what is and is not true regarding reputation and...

FESTIVAL
Sundance ‘26: ‘AMERICAN DOCTOR’ a Charged Account of Gaza’s Humanitarian Breakdown

Sundance ‘26: ‘AMERICAN DOCTOR’ a Charged Account of Gaza’s Humanitarian Breakdown

American Doctor forces audiences to confront the carnage inflicted on Gaza’s civilians, particularly children, early and often. For anyone who somehow avoided footage of dead babies across social media in 2025, the film offers a corrective almost immediately. One doctor argues it would be “journalistic malpractice” not to show the corpses, claiming that omitting them...

FESTIVAL
Sundance ‘26: A Childhood Displaced in Syrian Refugee Doc ‘ONE IN A MILLION’

Sundance ‘26: A Childhood Displaced in Syrian Refugee Doc ‘ONE IN A MILLION’

Aleppo, Syria, 2025. A bombed out shell of its former self. Ten years prior, it was a flourishing city filled with bustling markets, food stalls, prayer, and congregation. Co-directors Itab Azzam and Jack MacInnes chronicle that ten year transformation through the lens of Israa, an Aleppo native. Filming for One in a Million began in...

FESTIVAL
Sundance ‘26: ‘CLOSURE’ Is an Electrifying, Devastating Search for Meaning in Loss

Sundance ‘26: ‘CLOSURE’ Is an Electrifying, Devastating Search for Meaning in Loss

Shot with cinematic flair, Michał Marczak’s Polish-language documentary Closure is a rattling search and rescue: both for an actual missing kid and the soul of the father searching. Following the disappearance of his teenage son Chris, Daniel diligently scours the Vistula River, hoping to either recover his son’s corpse or uncover some hint that he...

FESTIVAL
Sundance ‘26: ‘THE LAKE’ is a Dire Warning of an Impending Environmental Meltdown

Sundance ‘26: ‘THE LAKE’ is a Dire Warning of an Impending Environmental Meltdown

You may have heard the headlines before: without immediate intervention, an “environmental nuclear bomb” is set to go off in the Western USA, in Utah. The Lake, an urgent, fact-filled documentary from Utah-native and first-time feature documentarian Abby Ellis, starts by providing an alarming statistic: over half of the water in the Great Salt Lake...

FESTIVAL
Sundance ‘26: Commercialism, Competition Breeds Tragedy In ‘THE LAST FIRST: WINTER K2’

Sundance ‘26: Commercialism, Competition Breeds Tragedy In ‘THE LAST FIRST: WINTER K2’

In the winter of 2021, a group of 60 climbers—a mix of professional mountaineers, Sherpas, and an uncomfortably large number of novices on a paid expedition—gather at a Himalayan base camp to attempt one of the last unclaimed feats in alpine sport: summiting K2 in winter. The Last First: Winter K2, from documentarian Amir Bar-Lev,...

FESTIVAL
SIFF ‘25 Capsule Review: ‘COLOR BOOK’ Opens a Window into the Specificity of a Widower’s Grief

SIFF ‘25 Capsule Review: ‘COLOR BOOK’ Opens a Window into the Specificity of a Widower’s Grief

Rich in both place and emotion, shot in evocative black and white, and scored with delicate precision, Color Book is a heartbreaking tale of grief and perseverance. William Catlett gives a tremendous, pathos-drenched performance as Lucky, a father navigating sudden tragedy, alongside his son Mason (Jeremiah Alexander Daniels), who has Down syndrome, after the loss...

FESTIVAL
SIFF ’25 Capsule Review: Irish ‘FOUR MOTHERS’  Juggles Pride, Parents, and Predictability

SIFF ’25 Capsule Review: Irish ‘FOUR MOTHERS’  Juggles Pride, Parents, and Predictability

A perfectly pleasant — if ultimately forgettable — Irish dramedy about gay author Edvard (James McArdle), who juggles the stress of an impending U.S. book tour while caring for his stroke-recovering mother (Fionnula Flanagan) and looking after the elderly mothers his friends abandoned to attend an overseas Pride Fest. Writer-director Darren Thornton delivers a quietly...