BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, October 27, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

FESTIVAL REVIEWS

Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes, the best and the rest of festival cinema.

SUNDANCE ’26 REVIEW
‘TIME AND WATER’ Moves at the Pace of a Glacier, and Feels Just as Cold

‘TIME AND WATER’ Moves at the Pace of a Glacier, and Feels Just as Cold

Now streaming: Time and Water is streaming on Disney+. Originally reviewed at the 2026 Sundance Film Festival. Sara Dosa’s highly anticipated follow-up to Fire of Love arrives with the same promise of poetic science-meets-humanity. But where her debut doc was incandescent, this one plays like a glacially paced elegy that mistakes lyricism for emotional pull.

SUNDANCE ’26 REVIEW
Sundance ‘26: Fury and Fathers Fly Over ‘IF I GO WILL THEY MISS ME’

Sundance ‘26: Fury and Fathers Fly Over ‘IF I GO WILL THEY MISS ME’

There’s something in the air in If I Go Will They Miss Me. Planes drone overhead constantly in this lyrical, Moonlight-coded debut, a feature-length expansion of Walter Thompson-Hernández’s earlier short of the same name. Beneath them, a father and son circle each other in a jagged dance of longing, legacy, and quiet double-edged disappointment. Big...

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘EVERYBODY TO KENMURE’ Captures a City’s Peaceful Rebellion Against Detaining Immigrants

Sundance ‘26: ‘EVERYBODY TO KENMURE’ Captures a City’s Peaceful Rebellion Against Detaining Immigrants

Archival footage reveals a city in flux, swelling amidst years of demonstrations and unrest across Glasgow, Ireland. History falls like dominoes through the flicker of old newscasts. Hope, growth, loss, and resistance all swirling in the streets. On Eid Mubarak 2021, the holiday marking the end of Ramadan, immigration enforcement shows up on Kenmure Street,...

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘SENTIENT’ a Traumatizing Doc About the Horror of Animal Testing

Sundance ‘26: ‘SENTIENT’ a Traumatizing Doc About the Horror of Animal Testing

A profoundly upsetting documentary, Sentient explores the multitudinous horrors of the animal testing infrastructure—not just the physical, psychological, and spiritual toll on the animals, but the damage done to the human technicians, scientists, and doctors complicit in the process, all underpinned by science that may not be as solid as it claims to be. Centered...

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘HOLD ONTO ME’ Sees An Estranged Father-Daughter Bond, Frayed and Fumbling Toward Repair

Sundance ‘26: ‘HOLD ONTO ME’ Sees An Estranged Father-Daughter Bond, Frayed and Fumbling Toward Repair

When 11-year-old Iris’ absentee father, Aris, slinks back into town for his father’s funeral in their sleepy Greek fishing village, she tracks him down to an abandoned shipyard and tries to wedge herself into his pathetic little life. In writer-director Myrsini Aristidou’s Greek-language Hold Onto Me (Κράτα Με), this relationship, performed beautifully by Christos Passalis...

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘TAKE ME HOME’ A Tender Condemnation of American Care

Sundance ‘26: ‘TAKE ME HOME’ A Tender Condemnation of American Care

Anna may be an adult, but her cognitive impairment (unspecified in the film, though decidedly on the autism spectrum) means she requires close care from her adoptive parents. The issue is that they’re now elderly and ailing themselves, hardly ideal caretakers. When Anna’s mother dies unexpectedly, her care falls to her father (Victor Slezak), who...

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘SEIZED’ Is a Chilling Case Study in the Erosion of Press Freedom

Sundance ‘26: ‘SEIZED’ Is a Chilling Case Study in the Erosion of Press Freedom

On August 11, 2023, police in Marion, Kansas, a town where “everyone knows everyone” isn’t just a saying, it’s civic policy, raided the offices of the Marion County Record. They seized computers, phones, and personal devices, even searched the homes of the paper’s staff. A day later, 98-year-old newspaper co-owner Joan Meyer died. Her doctor...

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘TELL ME EVERYTHING’ Severs Familial Ties Amid the AIDS Crisis

Sundance ‘26: ‘TELL ME EVERYTHING’ Severs Familial Ties Amid the AIDS Crisis

Tell Me Everything unfolds like a memory. Or a bad dream that has grown nostalgic with time. From its oversaturated aesthetic to the buoyant Israeli disco influences and gaudy ’80s production design, writer-director Moshe Rosenthal’s Hebrew-language film is soaked in the specificity of time and place. It hopscotches through timelines in Tel Aviv to tell...

SUNDANCE ’26 REVIEW
Sundance ‘26: A Narcissist Elite Rebels Against Being ‘ALL ABOUT THE MONEY’

Sundance ‘26: A Narcissist Elite Rebels Against Being ‘ALL ABOUT THE MONEY’

An extremely wealthy benefactor decides to buy up a plot of land and provide housing for a small faction of self-proclaimed communists in Alford, Massachusetts in the powerful, provocative, and infuriating documentary from Sinéad O’Shea, All About the Money. Her film begins with what should be a startling statistic—that the top 1% of Americans own...