SXSW ’17 Review: ‘THE ARCHER ’

March 11, 2017 by Matt Oakes Posted in Festival Reviews Tagged Ana Markova, Bailey Noble, Bill Sage, Casey Schroen, Jeanine Mason, Michael Grant Terry, Reviews, SXSW '17, The Archer, Valerie Weiss Leave a comment

Robin Hood. Legolas. Katniss Everdeen. That dead-eyed kid from We Need to Talk About Kevin. Archers all. The Archer’s Lauren Pierce is not a name you’ll need add to that list. Bailey Noble does a fine job as the cocksure protagonist, a going-places high school competitor with a sharp eye and a short fuse who winds up in a correctional facility for minors, but Casey Schroen’s undeveloped script and an entirely underwhelming edit doesn’t allow Lauren to flourish into anything beyond a hodgepodge of kick-ass chick cliches trapped in a humdrum teen thriller. Read More

SXSW ’17 Review: ‘COLOSSAL’

March 11, 2017 by Matt Oakes Posted in Festival Reviews, Uncategorized Tagged Anne Hathaway, Austin Stowell, Dan Stevens, Jason Sudeikis, Nacho Vigalondo, Out in Theaters, Reviews, SXSW '17, Tim Blake Nelson Leave a comment

Colossal, about a drunken dead-ender who discovers she has become an unwitting remote control for a massive horned monstrosity, is a film at war with itself. On the one hand, the spectacularly strange conceit prompts a delicious revision of the monster movie genre. Still, the potential novelty fails to take flight, making Colossal both too strange for mainstream audiences who typically buy tickets for monsters bashing each other movies and not really strange enough to satisfy audiences hoping for something truly nutty. Read More

SXSW ’17 Review: ‘PREVENGE’

March 10, 2017 by Matt Oakes Posted in Festival Reviews Tagged Alice Lowe, Horror, Kate Dickie, Prevenge, Reviews, SXSW '17, Tom Davis Leave a comment

A case of in utero homicide, Prevenge comes born of triple-threat Alice Lowe’s fertile but twisted mind. Taking duties as writer, director and star in this slop-rock ballad of killer prepartum impulses, Lowe weaves her story of a knocked up avenging angel in the strangest of circumstances. Pregnant at 37, art found itself mimicking reality (to a degree) as Lowe put pen to paper to stitch together a one-page pitch early in her first trimester. Read More

Out in Theaters: ‘INDIGNATION’

August 8, 2016 by Matt Oakes Posted in Festival Reviews, Out in Theaters Tagged Danny Burstein, Festival Reviews, Indignation, James Schamus, Linda Emond, Logan Lerman, Out in Theaters, Philip Roth, Reviews, Sarah Gadon, Seattle International Film Festival 2016, SIFF 2016, Tracy Letts 1 Comment

The basic plot structure of Indignation couldn’t be simpler. The precocious son of a New Jersey kosher butcher heads off to college, goes on a date, changes dorm rooms and gets appendicitis. For a film with such narrative simplicity, the margins are sprawled with a rich tapestry of emotionally vibrant reveals, loaded with unconventional wordplay comedy and brimming with decadent forbidden relationships, all pumping along to a mule kick of a curtain act. As a crossbred of coiffed 1950s romance and genteel protest piece, Indignation is a delicate ballet that culminates in first time writer/director James Schamus doing a tap dance on your fluttering, caved-in chest. Read More

SIFF ’16 Capsule Review: ‘UNDER THE SHADOW’

June 10, 2016 by Matt Oakes Posted in Festival Reviews Tagged Avin Manshadi, Babak Anvari, Narges Rashidi, Seattle International Film Festival 2016, SIFF 2016, Under the Shadows 2 Comments

With Under the Shadow, Babak Anvari has his finger on the pulse of what we want, and deserve, from an independent horror movie. A potent location in 1980s missile-wary Tehran, a compelling lead in Narges Rashidi who grapples with cultural and professional oppression in addition to her family being haunted, and an actively restrained director who suckerpunches his audience with powerful scares when they least expect it. Shadows is the latest in a string of politically-charged paranormal exports (A Girl Walks Home Alone At Night, to name one) from Iran and from the physical traits of the fearsome Djinn, who’ve latched onto daughter Dorsa (Avin Manshadi) for nefarious ends, suspiciously remind one of an anthropomorphized burka, an extension of the societal persecution Rashidi’s Shideh suffers daily. Under the Shadow joins the ranks of recent modern horror greats (Babadook, It Follows) that combine meaningful social commentary in with effective frights. Consider it a must see. (A-)
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SIFF ’16 Capsule Review: ‘MIDDLE MAN’

June 10, 2016 by Matt Oakes Posted in Festival Reviews Tagged Jim O’Heir, Lenny Freeman, Middle Man, Seattle International Film Festival 2016, SIFF 2016 Leave a comment

Ned Crowley stresses “comedy” in his offbeat desert kill spree comedy of errors Middle Man. A darkly humorous dredge through despair and desperation, Crowley’s film emulates the dark comedy stylings that define greater desert noir the likes of No Country for Old Men with enough tics to call its own to warrant an existence. Parks and Recreation’s Jim O’Heir shines as a bumbling unfunny “comedian” with high aspirations and little talent and his dedicated deadpan gives Middle Man its power. All the viscera Clowery throws O’Heir’s way signals a dark transformation that results in a whopper of a final shot, even if all the detours along the way – much like the world’s biggest ball of yarn – aren’t always entirely worthwhile. (C+)
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SIFF ’16 Capsule Review: ‘DON’T THINK TWICE’

June 10, 2016 by Matt Oakes Posted in Festival Reviews Tagged Don’t Think Twice, Gillian Jacobs, Keegan-Michael Key, Mike Birbiglia, Reviews, Seattle International Film Festival 2016, SIFF 2016 Leave a comment

Improv is about following the germ of an idea until it’s reach its most preposterous conclusion and with emotionally honest and rib-tickling seriocomedy Don’t Think Twice, Mike Birbiglia has, like a great improv thread taken to its most radical extreme, tangentially bloomed into himself as a director. His comedy manifesto has always tilted at harvesting truth over triviality and his framing of lifelong relationships splintering and fraternal bonds fracturing creates a heartrending account of the invoice of self-interest as a group of comic friends/collegaues infight to land a gig on an intellectually-bankrupt SNL-type sketch show. Watching Birbiglia drive a wedge between this collection of funny people who feed off each other’s energy for a living makes for powerful, character-driven work and the cast, including a standout Keegan-Michael Key and Gillian Jacobs, is more than game bringing dramatic gravitas, in addition to comedic jabs aplenty, to the table. (B+)

SIFF ’16 Capsule Review: ‘LIFE, ANIMATED’

June 9, 2016 by Matt Oakes Posted in Documentaries, Festival Reviews Tagged Animated, Life, Mac Guff, Owen Suskind, Roger Ross William, Seattle International Film Festival 2016, SIFF 2016 Leave a comment

There’s no debating the value of Roger Ross William‘s accomplishment. In Life, Animated – a touching documentary centered on late-onset autism “victim” Owen Suskind and how he remarkably rediscovers language through animated Disney films – he has given voice to the voiceless (technical ingenuity had him pioneer a groundbreaking method to illicit confessionals from Owen). In Owen’s journey, we discover universal truisms that extent far beyond the realm of the autistic; bone-clattering truths about life, love, loss and suffering. Original animation from Mac Guff helps fill in the documentarian voids and provides stirring and visually resplendent representations of Owen’s young years and the self-penned stories he would escape into. Framing Owen’s relationships – with family members, his girlfriend Emily and some very special friends – in such a way that rejuvenates our collective faith in humanity, William’s picture is an objective triumph, one that shines a light on a misunderstood population, that weaves triumph from tragedy and crafts a moving portrait of perseverance. It’s a tribute to an uncommon hero and is truly something special. (A) Read More

SIFF ’16 Capsule Review: ‘THE LURE’

June 4, 2016 by Matt Oakes Posted in Festival Reviews Tagged Poland, Reviews, Seattle International Film Festival 2016, SIFF 2016, The Lure Leave a comment

As dark and psychosexual a rock opera about mermaids that could be imagined, Poland’s The Lure is a melodramatic fairytale plumped with melodic house music, chilling surrealism and dripping monster fangs. Two all-singing, all-stripping sea-born sisters populate seedy dance-halls and sudsy clubs with their the croon of their siren lullabies, flirting with the idea of first love and eating the clientele. Big, bold and weird, The Lure is a Freudian nightmare of BDSM Grimm Brother woes that engagingly pairs its wacky siren songs to the fairly basic narrative arc at play. This technically impressive 80s-Tim-Burton-creation-that-never-was is a grungy, grimy, punky protest maritime song splattered with boobs, blood and peculiarly catchy ballads. (B-)

SIFF ’16 Capsule Review: ‘CARNAGE PARK’

June 3, 2016 by Matt Oakes Posted in Festival Reviews Tagged Ashley Bell, Carnage Park, Horror, Mickey Keating, Pat Healy, Reviews, Seattle International Film Festival 2016, SIFF 2016 1 Comment

Mickey Keating‘s Carnage Park starts in admirably economic fashion, rending down its slim cast to even slimmer form with a dead-eyed, high-pitched, Bible-thumping Pat Healy tagging human targets with his handy sniper rifle beset with all the rage and judgement of the Old Testament guy upstairs. Ashley Bell plays opposite as the desert-set horror’s shrieky final girl – the victim of a kidnapping who then finds herself in even more hostile territory – and while Keating’s film goes through fits and starts of amassing and losing steam, the final product feels like an over-saturated amalgam of grindhouse slasher flick tropes forked together and raked over a somewhat barren “based on a true story” conceit. Imagine Wolf Creek stripped of its anarchic edge and plunked down in an equally sun-scorched Jesus-lovin’, American nowheresville and you’ll get the picture. (C)
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