We live in time, but John Crowley’s film exists across it. An emotional portrait of a relationship unfolding across a number of years, Crowley’s romantic drama allows audiences to experience Almut and Tobias’ love story in an unconventional and nonlinear manner. Their meet-cute coincide with scenes of their later life as parents of a young daughter, punctuated by other moments throughout the beginning, middle, and end of their time together – free-form, finite and infinite. This creates a mosaic of the moments that make up a marriage – deep love, tragedy, lust, betrayal, make-up sex, arguments, flirtation – swirling in and amongst each other, unbound by the usual constraints of time.  Read More