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Fantastically Dull ‘THE FANTASTIC FOUR: FIRST STEPS’ Miscalculates Introduction to First Family

The MCU is dead. The MCU is back. The MCU is dead. The MCU is back. Someone put a fork in it. She’s cooked. But just you wait until the next one! And on and on the content carousel spins. Even as someone who had gripes with the Marvel machine well before Endgame, I found myself tossing out more than a few positive reviews in that era. In fact, there was a time when I felt rather pot-committed to the whole enterprise, even when its storytelling got obnoxiously self-aggrandizing and interconnected. Post-Endgame, it’s mostly been a tragic slide into mediocrity with some blips of quality. A few titles have become the lone bright spots in an otherwise bleak Phase 4/5 wasteland. Meanwhile, Ant-Man: Quantumania, The Marvels, Thor: Love and Thunder, Eternals, Captain America: Brave New World, and Thunderbolts all earned a solid splat from my little corner of the internet. Now, with James Gunn’s DCU breathing heavily down Marvel’s neck and the franchise’s future hinging on two upcoming Avengers movies (featuring Robert Downey Jr. returning, but as Doctor Doom, for reasons not disclosed here), The Fantastic Four: First Steps from director Matt Shakman arrives with downright heroic expectations. Expectations that are promptly crushed under the weight of its own blandness.    Read More

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Heartbreaking ‘PIECES OF A WOMAN’ Kicks the Dead Horse

Emotional devastation is something everyone living through 2020 is too well acquainted with but Kornél Mundruczó’s tearjerking Pieces of a Woman suggests that things can always be worse. The Hungarian White God writer and director paints a tumultuous portrait of a husband and wife undergoing an incredible loss with unflinching precision, using a voyeuristic approach to nestle into their most personal, private moments and translating it to the screen in a novel, wholly disturbing manner.  Read More

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‘FAST & FURIOUS PRESENTS: HOBBS & SHAW’ Is Fatigued Action Cartoon Bupkis

From VCR heists to saving the entire world from a virus that melts your insides, The Fast & Furious franchise has long been one of fast and furious reinvention. With a tradition of shifting cast lineups, the car-based franchise saw its crew transition from small-time criminals to world-class agents and assets who global governments call upon when a situation is too big for them to handle. The early days of the Fast franchise, in a sense, saw one spin-off after another. The second movie (the egregiously titled 2 Fast 2 Furious) kept only Paul Walker from the original 2001 flick while adding newcomer Tyrese Gibson into the mix. The third (Tokyo Drift) shifted to another continent entirely and had only the thinnest of connective tissue to previous installations vis-a-vis a throwaway Vin Diesel cameo. It was only when the films jammed everyone together and added Dwayne Johnson into the mix in Fast Five that everything started coming up diesel.  Read More