post

FYC Capsule Review: ‘THE AERONAUTS’

When The Aeronauts lifts off the ground, the film from Tom Harper truly does take off. Down on ground-level, everything is a bit more sour than soar though. Benefitting from some breathtaking visual effects and a capable pair of leads in Felicity Jones (excellent here) and Eddie Redmayne, The Aeronauts can be a thrilling mid-air adventure to the highest reaches of the atmosphere that’s weighed down by its commonplace dramatic packaging. Jones plays hotshot hot-air balloon pilot Amelia Wren, who is trying to break the height world record accompanied by scientist/proto-meteorologist James Glashier (Redmayne) out to prove that weather can be studied and predicted. Harper proves more than capable of staging invariably tense sequences where life and death hang in the balance, and his crisp direction gets notably better the higher off the ground their balloon gets. If only he could have found more balance in mixing the grounded drama with the high-flying hijinx. Thankfully, Jones gives it her all, making the venture a worthwhile ascend, if one you don’t need to rush out to catch. (C+) Read More

post

SIFF ’19: ‘WILD ROSE’ A Fierce And Ill-Mannered Country Music Come-Up

Featuring a star-making turn from Jessie Buckley, Wild Rose follows a recently released convict/songbird with Nashville dreams. Eyes will be superglued to Buckley who brings ragged life to a complicated deadbeat momma aspiring to be a country star in Tom Harper’s somewhat familiarly-written film that examines the shoals of starry-eyed aspirations and harsh real world realities. Fastened with warm, heartfelt soundtrack (performed with spellbinding beauty by Buckley) and with a solid foothold in semi-charmed redemption, Wild Rose is a white trash crowdpleaser that manages something new to say in a routine ‘star is born’ subgenre. (B) Read More