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Top Ten Films of 2025

If 2024 felt transitional, 2025 felt reactionary. The industry is still figuring out where it’s future is heading, with streaming turbulence, downsized theatrical slates, and the lingering specter of automation hanging over the heads of everyone from below-the-line workers to A-list actors. With the recent news of the landmark WB acquisition, the future is very much in a state of alarming flux. But even with cinema at a crossroads, a number of films showed up with blood dripping from their teeth in 2025. 2025 didn’t just have good movies, it had some of the very best movies of the whole decade. And I put in the work to find that out for myself. This year, I watched 109 new releases and wrote 67 reviews. The top four films from this year (all which earned a grade-A) could duke it out with any other recent release for supremacy. Even though art is, I guess, subjective and all that. Read More

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Being ‘TOGETHER’ Becomes the Ultimate Act of Codependency

A fantastically icky mash-up of black comedy and body horror, Michael Shanks’ Together is a biting satire about the horrors of codependency. And like any body horror that earns its stripes, it’s not for the squeamish. Real-life married couple Allison Brie and Dave Franco star as Millie and Tim, a decade-long duo who’ve decided to take the plunge and carve out the next chapter in their relationship. What follows is a twisted love story that’s equally weird, funny, and utterly nasty, taking their “growing together” to grotesquely literal extremes. Read More

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SIFF ’17 Capsule Review: ‘COME, TOGETHER’

A potent familial eye-opener probing the fierce competitiveness in various corners of Korean life, Come, Together from Shin Dong-il circles a nuclear family on the brink of collapse; company man Beom-gu has just been fired from his job of 18 years; credit card saleswoman Mi-young battles an esteemed and spoiled co-worker for a prized family vacation to Thailand; and daughter Han-na hovers on the waitlist for a prestigious college, her entire self-worth caught up in her admittance. All second-guess themselves and their place in their family and the world at large in this humanist drama that’s sympathetic, revealing and rather depressing; one that delicately paints an emotionally distressing portrait of the trials and tribulations of one shell-shocked middle class Korean family contending with rather mundane hardship. (B) Read More