When discussing 2015 and its ilk of Oscar wannabes, most rallied around a similar sentiment: what an odd and unpredictable year for awards. At one point or another, as many as five of the eight Best Picture nominees (The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, Room, Spotlight, The Revenant) could have been considered the front-runner with the vast majority of the race seemingly coming down to a Big Short vs. Spotlight showdown. Huge box office tolls and unprecedented last minute momentum moved The Revenant into the pole position at an opportune time, seemingly hucking Spotlight from the, ahem, spotlight. And right when it needed it most. These tectonic shifts have made pining down the Best Picture winner a particularly challenging game this year with an unlikely chronology of match-ups apparently leaving the battle to be waged between Adam McKay‘s financial meltdown dramedy and Alejandro González Iñárritu‘s survivorman epic. That being said, one shouldn’t discount Tom McCarthy‘s Spotlight which could just pull a last minute KO. Now if only George Miller‘s supreme Mad Max: Fury Road had the same surprise comeback potential… Read More
‘MAD MAX: FURY ROAD’ Sweeps the 2015 Seattle Film Awards
This morning, the Seattle Film Critics’ Survery unleashed their winners and it was Mad Max: Fury Road who took the proverbial cake and ate it too. Curated by Should I See It‘s Mike Ward, the full press release is included below:
“George Miller’s post-apocalyptic epic Mad Max: Fury Road steamrolled the competition, and was named the Best Picture of 2015 by Seattle’s film community. The film nearly swept the competition, earning 10 out of a potential 11 award wins in the third annual Seattle Film Awards survey. Read More
Silver Screen Riot’s Official 2016 Oscar Nomination Predictions
Every year, us adamant movie bloggers have a tradition of predicting not only the winners of the Academy Awards but the actual nominees. Does it sound like sheer insanity? Of course it does! It’s tilting at windmills. Nothing more. Nonetheless, we labor to push the proverbial rock up the hill eternal, shooting blindly into the dark. This year there’s so many variables that predicting the nominations has been more difficult than ever. The only sure things at this point seem to be Spotlight and The Big Short for Best Picture, Leonardo DiCaprio for Best Actor, Brie Larson for Best Actress, Sylvester Stallone for Best Supporting Actor and a handful of technical nods for the likes of Mad Max and The Martian. Read More
Out in Theaters: ‘SPOTLIGHT’
That Spotlight feels like the epitome of a Law and Order episode genetically crossbred with a 70s-style political thriller is both its salvation and its glass ceiling. A real Indominus Rex of drama, Spotlight is a fleet-footed arcane beast attacking with precision and blunt deadly force. Its movements however are about as predictable as a 40-foot dinosaur. With its classical movie trappings, there’s other reasons it may be likened to a dinosaur. On the one hand, the formula is soothing in its familiarity – anyone who’s seen an episode of network television over the last half-century can immediately tap into the procedural structure at play – but in dealing up this very specific, very familiar hand, Spotlight also affixes a rev limiter to its emotional combustion engine. That it is then able to color in more shades than the finite Crayola 8 without devolving to sentimentality or cheap heroics is what allows Spotlight to stand tall. To peer out from the brush and declare its potency. To be the king of the jungle. Read More