SIFF Capsule Recap #5: WILLOW CREEK, FIRESTORM, MYSTERY ROAD, 10,000 KM

May 22, 2014 by Matt Oakes Posted in Festival Reviews Tagged 10000 KM, Firestorm, Mystery Road, Reviews, SIFF, SIFF 2014, Willow Creek

With this fifth installment, I reach the half-way point of my 40 film stretch. 20 films down, 20 to go. This turning point though was much more of a mixed bag entry as we have some true greats mixed up with some real junk. Towing the line with SIFF procedure, these brief reviews are kept to about 75 words. It’s all about the broad strokes. In my pursuit to oust my opinion without breaking regulation, look out for mini-review after mini-review as I get closer to hitting that magic number of 40 films of SIFF’s 40th anniversary. So, short and sweet reading for you, much more time for movie watching for me. This could be the beginning of a beautiful friendship.

Willow Creek

dir. Bob Goldthwait star. Alexie Gilmore, Bryce Johnson (USA)

There’s a really strong long-form scene in the midst of Willow Creek, much filler surrounding it and a wholly unsatisfying and unintelligible ending. What ought to be provocatively minimalism isn’t as this lo-fi horror borrows heavily from the book of Blair Witch, but without the novelty of being there first, Bob Goldthwait has little to add to the genre. More padding than substance, Willow Creek is overstuffed with the kind of fruitless scenes that make found footage so grating and lethargic and is only worthwhile for diehard horror/Sasquatch fans. (D+)

Mystery Road

dir. Ivan Sen star. Aaron Pedersen, Hugo Weaving, Ryan Kwanten, Tama Walton (Australia)

Ivan Sen‘s painterly cinematography, marked by brilliant orange sunrises and sweeping casts into endless flatlands, sets the tone for this Australian thinker’s thriller. With a Coen Bros meets Sergio Leone feel to it, Mystery Road is pretty much No Outback for Young Aborigine Ladies, a dark drama that manages to sneak muted undercurrents of racial aggression amongst its larger themes of derelict duty and parental responsibility. Restrained performances from Aaron Pederson and the like set against a manic Hugo Weaving makes for a nice dichotomy of character in a film well worth your time. (B-)

Firestorm (Fung Bou)

dir. Alen Yuen star. Chen Yao, Ka Tung Lam, Andy Lau, Michael Wong (Hong Kong)

Senselessly expensive – especially by Hong Kong standards – overly-stylized and utterly meaningless, Firestorm is a high-gloss crime actioner that throws the kitchen sink in each of its tactless proceedings. With as many explosions as budgetarily possible and a hero who’s more Robocop than anything resembling a living breathing human, this flunky action movie is derivative, laughable and ceaselessly dumb – a combo that actually works in its favor a small fraction of the time. Nevertheless, it should be actively avoided. (D)

10,000 KM

dir. Carlos Marques-Marcet star. Natalia Tena, David Verdaguer (Spain)

Anyone who’s lived through a long distance relationship will find alarming truth in 10,000KM, a bittersweet romance stunningly directed by Carlos Marques-Marcet and brilliantly acted by Natalia Tena (Game of Thrones) and David Verdaguer. In truly all accords, it’s a phenomenal film; real, honest, emotional and poised to hit the nerve of lovers living through the e-generation. How people helplessly grow apart with distance is approached from nearly every angle to create an unfathomable experience so intimate, personal and gutting that you’ll be as wrecked as the star-crossed lovers when all is said and done. (A)

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Click through for more recap segments and stay tuned for the next collection of four in this whopping ten part series.

Part 1: JIMI: All is By My Side, Zip Zap and the Marble Gang, Hellion, Fight Church
Part 2: Cannibal, The Double, Time Lapse, Another
Part 3: Half of a Yellow Sun, Mirage Men, The Trip to Italy, Starred Up
Part 4: Difret, The Fault in Our Stars, The Skeleton Twins, In Order of Disappearance

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Talking With Chiwetel Ejiofor of HALF OF A YELLOW SUN

May 20, 2014 by Matt Oakes Posted in Interviews Tagged Chiwetel Ejiofor, Half of a Yellow Sun, Interviews, SIFF, SIFF 2014, SIFForty

The name Chiwetel Ejiofor might still be hard to pronounce for some but it’s one that’s been hot on the lips of anyone who filled out an Oscar ballot last year. The star of 12 Years A Slave was, for most of the season, considered a front runner for the top spot but was shoed out in the last moment by Matthew McConaughey and his late rising star. But unlike some, Chiwetel Ejiofor hasn’t let his Oscar nomination get to his head. In fact, his first project proceeding the thunder that was 12 Years A Slave is something even smaller and more personal: a tragic tale of a love affair caught in the midst of the Biafran Civil War. While the film (brief review here) stuttered here and there, Ejiofor continued to prove why he will forever have “Oscar Nominated” accompany his name in trailers.

His signature quivering lip and beady tears give emotional honesty to each scene he steps into so even when Half of a Yellow Sun isn’t reaching for the stars, his performance is. I had a chance to chat with Mr. Ejiofor at the premiere of Half of a Yellow Sun here in Seattle at the 2014 Seattle International Film Festival and we spoke about how his Oscar nomination has altered his career, why he choose to be involved in Half of a Yellow Sun and if Bond 24 might be in his cards. Read on to find out more.

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First of all, obviously you’ve had a huge couple of years with the success of 12 Years a Slave and being an Oscar frontrunner for such a long time, how has this just throttled your career and what kind of changes are you experiencing? Further, what’s that been like for you?

Chiwetel Ejifor: Well it was a film that we were deeply proud of so it was exciting to get it out there and have the film received in the spirit it was made and people really care about it and care about these people. I suppose in a way, going forward, you want to continue to do work that you’re as passionate about and as engaged with and that’s been an amazing part of it. I’ve always been very fortunate in my career to have opportunities in my working life so in a sense that’s a continuation of that so it hasn’t been a completely different universe in terms of being an actor. But definitely it was extraordinary to go on a journey like that with a film like that.

Then doing something smaller like this, after a role that presumably gave you a lot of options, must have meant that it was something that you were very passionate about and had a lot of faith in. Can you speak about what really drew you to this role and this film (Half of a Yellow Sun) in particular?

CE: Well this film is amazing and such an important part in my own personal history and my family history: the Biafran Civil War. Chimamanda Ngozi Adichie wrote a beautiful, beautiful novel about it called Half of a Yellow Sun and so I’d spoken to Biyi Bandele who had adapted the book and directed the book for years. I’d known Biyi about 20 years and we always talked about making a film in Nigeria and making a kind of big-ish film in Nigeria. Maybe attempt something that had never really been done before on that scale. So this perfect confluence of events happened with him adapting the book and me knowing about the story so much and falling in love with the book – my mother actually introduced me to the book many years ago – and I spoke to my grandfather at length before he died about the Biafran Civil War – so it was all a very personal history and journey for me. We were very thankful that we were able to get out to Nigeria and make this film.

There’s been rumors and talks about you potentially starring in a big franchise like Bond 24. Obviously I’m not asking you to confirm or deny that because I’m sure you’re hogtied into never saying anything about that but how would doing a big franchise like that, be it Bond or something else, be a necessary and yet organic step forward in your career?

CE: Well I don’t know if, in a way, there’s any such thing. You’re kind of just drawn to parts and drawn to stories and characters, directors, you know. I don’t think it’s really necessary to do any one specific thing. I think it’s just necessary to do things that you’re passionate about and care about. I’m as much a film fan as an actor so there are loads of things that I get excited about.

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SIFF Capsule Recap #4 (DIFRET, FAULT IN OUR STARS, SKELETON TWINS, IN ORDER OF DISAPPEARANCE)

May 19, 2014 by Matt Oakes Posted in Festival Reviews Tagged Difret, In Order of Disappearance, Reviews, SIFF, SIFF 2014, The Fault in Our Stars, The Skeleton Twins

Things just keep on picking up over here in SIFF-land with four mostly great new movies, including two early standouts of the fest. Still following SIFF procedure, these brief reviews only span about 75 meaning-laden words so short and sweet is the word. In my pursuit to oust my opinion without breaking regulation, look out for mini-review after mini-review as I seek to hit that magic number of 40 films of SIFF’s 40th anniversary. So far, I’m at 16. 40 is looking closer by the day. So, short and sweet reading for you, much more time for movie watching for me. This could be the beginning of a beautiful friendship.

Difret

dir. Zeresenay Berhane Mehari star. Meron Getnet, Tizita Hagere (Ethiopia)

Difret, or Ethiopia Kidnap Weddings: SVU, beams a chilling political reality where tradition clashes with human rights, courts with all-male elder tribunals. A young girl, Hirut, is kidnapped by a gaggle of men on horseback, locked up and raped before escaping and killing the captor intent on marrying her. Difret, which loosely translates to “raped”, then sees a politic system condemning this child to death and the human rights lawyer who come to her aid. The performances impress but Mehari’s amateur hand leaves much to be desired in the directing department. Hirut’s story will have you up in arms but the story is disappointingly one-sided. (C)

The Fault in Our Stars

dir. Josh Boone star. Shailene Woodley, Ansel Elgort, Nat Wolff, Willem Dafoe, Laura Dern (USA)

Charmed performances can’t overcome the schmaltzy, melodramatic cancer porn that is The Fault in Our Stars. Pegged as a weepy drama, Josh Boone‘s film is ready to serve up tragedy by the ladle-full. Willem Dafoe stops by for a show-stopping scene but it’s Shailene Woodley and Ansel Elgort who keep us grounded in this otherwise-borrowed Walk To Remember path. It is however decidedly better than its leads’ previous project: Divergent. Stars is not outright bad so much as fundamentally flawed. (C-)

The Skeleton Twins

dir. Craig Robinson star. Bill Hader, Kristen Wiig, Luke Wilson, Ty Burrell (USA)

Bill Hader just had his coming out party. He may not be gay, but he’s a star. The Skeleton Twins is unabashedly entertaining; a darkly comic, tactfully told dramedy that probes the darkest of places with the funniest of people. Kristen Wiig and Luke Wilson join Hader to round out a cast of unsung heroes taking the spotlight, each firmly on their mark and spontaneously hilarious throughout. For a film that circles suicide, it is the funniest of the year (so far) and the cast’s effortless deadpan will have you in absolute, ROFL stitches. (A-)

In Order of Disappearance (Kraftidioten)

dir. Hans Petter Moland star. Stellan Skarsgård, Kristofer Hivju, Bruno Ganz, Peter Andersson (Norway)

Kraftidioten (or In Order of Disappearance) is a Norwegian black comedy that sees a snowplow man/upstanding citizen take justice into his own hands after his son is wrongfully murdered. Featuring a standout performance from the multilingual Stellan Skarsgård, this wintry take on everyman vengeance mixes doses of bleak internal battles in with blood-stained snow and murderous vegans for a darkly satisfying product, further improved by ponderous cinematography and unexpected giggles. Even though the second act loses the adroit pacing of the first, it all adds up to something sickly sweet. (B+)

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Click through for more recap segments and stay tuned for the next collection of four in this whopping ten part series.

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SIFF Capsule Recap #3 (HALF OF A YELLOW SUN, MIRAGE MEN, THE TRIP TO ITALY, STARRED UP)

May 15, 2014 by Matt Oakes Posted in Festival Reviews Tagged Festival Reviews, Film Festivals, Half of a Yellow Sun, Mirage Men, Reviews, SIFF, SIFF 2014, Starred Up, The Trip to Italy

This third segment is the strongest yet, with four movies totally worthy of seeing. Still following the SIFF procedure, these short-shorts of reviews are kept to a brief nature (75 quick words of glory) until their respective local release. So in my pursuit to oust my opinion without breaking regulation, look out for mini-review after mini-review as I seek to hit that magic number of 40 films of SIFF’s 40th anniversary. So, short and sweet reading for you, much more time for movie watching for me. This could be the beginning of a beautiful friendship.

Half of a Yellow Sun

dir. Bibi Bandele star. Thandie Newton, Chiwetel Ejiofor, John Boyega, Anika Noni Rose (Nigeria, UK)

Half of a Yellow Sun features strong performances from Thandie Newton and Chiwetel Ejioforj but after the first hour, it unexplainably loses momentum, and curls into a deep sag in the later third act. A love square between two Nigerian sisters schooled in England, who are dead set on becoming arbiters of social change, occupies the forefront of this saga that also sees the Nigerian civil war ripping their world to shreads, and subsequent creation and deconstruction of Biafra. Occassionally powerful but unsatisfying in structure. (C+)

Mirage Men

dir. John Lundberg, Roland Denning, Kypros Kyprianou, Mark Pilkington (UK)

An engaging info-fest that posits a.) aliens exist b.) the US government funded a mild to large-scale disinformation campaign to intentionally mislead UFO researchers. Richard Doty, the former Air Force largely responsible for feeding falsified documents to UFO “expert” Paul Bennewitz – until he snapped into full blown psychosis – comes forward and is our (somewhat unreliable) guide through the proceedings. The triple directing team captures a wide range of testimony on the subject but barely have any video to play with, making Mirage Men a disappointingly “tell, don’t show” experience. (C)

The Trip to Italy

dir. Michael Winterbottom star. Rob Brydon, Steve Coogan, Marta Barrio (UK)

Rob Brydon and Steven Coogan leave foggy, fried North England behind for the breathtaking Italian coast where they wine, dine, and goof their way through a dream trip (one that inspires deep pangs of jealousy from this critic). The naturalistic hyper-reality they craft thrives on the weathered chemistry between the two stars. Their old-as-they-are relationship paves the way for improvisation prowess so organic its feels more like second natural than performance. More impressions, absolutely stunning vistas, Alanis Morissette’s croon, lazily waxing on life and pasta, pasta, pasta gives intrepid life to The Trip to Italy. (B)

Starred Up

dir. Jack Mackenzie star. Jack O’Connell, Ben Mendelsohn, Rupert Friend (UK)

A violent and volatile teen, Eric Love, enters a maximum security English prison where the wrong word or glance can end with a cut throat. Rather than submit to his surroundings, Eric thrashes like a caged animal; an unpredictable bombshell armed to blow. Rupert Friend, Ben Mendelsohn and David Ajala ably fill out the supporting cast but it’s star Jack O’Connell who burns brightest; his portrayal of Eric is unblinking and – even behind such thick callous – heartily tragic. While some plot threads are left dangling, the potent performances and probing examination of dehumanizing prison ethos makes Starred Up more than a worthy trip to hell and back. (B-)

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Click through for more recap segments and stay tuned for the next collection of four in this whopping ten part series.

Part 1: JIMI: All is By My Side, Zip Zap and the Marble Gang, Hellion, Fight Church
Part 2: Cannibal, The Double, Time Lapse, Another

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SIFF Capsule Recap #2 (CANNIBAL, THE DOUBLE, TIME LAPSE, ANOTHER)

May 13, 2014 by Matt Oakes Posted in Festival Reviews Tagged Another, Cannibal, Festival Reviews, Film Festivals, Reviews, SIFF, SIFF 2014, The Double, Time Lapse

In keeping with the rules and regs of the Seattle International Film Festival, reviews for most films will be kept to brief capsules (75 quick words of glory) until their respective local release. So in my pursuit to oust my opinion without breaking regulation, expect more and more capsule recaps in the coming weeks as I seek to hit that magic number of 40 films of SIFF’s 40th anniversary. So, short and sweet reading for you, much more time for movie watching for me. This could be the beginning of a beautiful friendship.

Cannibal (Caníbal)

dir. Manuel Martín Cuenca star. Antonio de la Torre, Olimpia Melinte, Delphine Tempels (Spain)

Carlos leads a double life: one as an upstanding citizen/fashion-forward tailor, the other as a connoisseur of human flesh. When the sister of one of his victims nervously rolls into town, Carlos accidentally becomes coiled with her search and discovers a new range of emotions: ones that don’t start and end in his stomach. Manuel Martín Cuenca‘s slow building and deliberate pacing adds depth to Antonio de la Torre‘s somber shade of monster but his film, though unflinching, still lacks a central tension: of exposure, imprisonment, or worse. (C)

The Double

dir. Richard Ayoade star. Jesse Eisenberg, Mia Wasikowska, Wallace Shawn, Noah Taylor (UK)

If Terry Gilliam had made Fight Club, it probably would have looked a lot like Richard Ayoade‘s The Double. Set in a steampunk dystopian tomorrowland, Jesse Eisenberg lays down august double duty, first as Simon James, a meek, nay spineless, employee in a dungy, Orwellian basement cubicle maze. When James Simon, his carbon copy in the looks department but his exact social opposite – James is an exceedingly debonair social-climber – moves in, Simon’s small world is irrevocably jolted. Grubby set design and hallucinatory foley work, set against the motif of closing doors and characteristic-less cultural nowhere, aid Ayoade’s prevailing sense of cautious pessimism in this thrilling, darkly comedic romp. (B-)

Another

dir. Jason Bognacki star. Ana Paula Redding, Leone Sergio Bognacki, David Landry, Maria Olsen (USA)

Cheap-looking even by independent movie standards, this cultish schlock stars some of the worst performances this side of day time cable (Ana Paula Redding, *shutters*). With acting this ham-fisted and downright embarrassing, watching Another is an exercise is intelligence bludgeoning. Jason Bognacki‘s direction is comprised of shaky cam after-FX and inexplicably fuzziness that clouds our view of the “horror” onscreen, as if he’d taken cues from a pirated Bourne DVD. It’s a sad pile of crud that should be walked out on; a joker’s stain on SIFF’s lineup. (F)

Time Lapse

dir. Bradley King star. Danielle Panabaker, Matt O’Leary, George Finn, Amin Joseph, Jason Spisak (USA)

Bradley King‘s mildly thought-provoking indie sci-fi swims around in the lazy river that is time. But Time Lapse – which sees a camera that takes pictures 24-hours in the future – is undercut by weak performances across the board. There’s a provocative allure to King’s examination of determinism versus free will at play but they’re never mined to satisfactory results. Instead, the real marvel of his deux ex machina is left to dry out like reagent on a Polaroid. For a movie that’s all about time, it’s only partially worthy of yours. (C-)

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Click through for Part 1: JIMI: All is By My Side, Zip Zap and the Marble Gang, Hellion, Fight Church and stay tuned for the next collection of four in this whopping ten part series.

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SIFF 2014 Unveils African Pictures Lineup

April 13, 2014 by Matt Oakes Posted in Reviews Tagged Festival, Half of a Yellow Sun, Lineup, SIFF, SIFF 2014

Chiwetel Ejiofor and Thandie Newton in Half of a Yellow Sun

The Seattle International Film Festival has released details on their first bout of films set to span the further reaches of cinema the world over. Putting the “international” in International Film Festival, SIFF takes a decided stance to represent more than a handful of foreign films amongst a smattering of domestic films. Just as many, if not more, films come from around the world and nothing is a better example of this than their African film series. Take a look through the list of eclectic African pictures including World and North American premieres. Full screening details to follow on May 1.

African Metropolis

d: Marie Ka, Philippe Lacote, Ahmed Ghoneimy, Vincent Moloi, Folsakin Iwajomo, Jim Chuchu, Kenya, Ivory Coast, Egypt, Senegal, Nigeria, South Africa 2013, 92 min

Filmmakers from across the African continent paint a vivid picture of a new, urbanized Africa through innovative short stories featuring six fast-growing major cities: Abidjan, Cairo, Dakar, Johannesburg, Lagos, and Nairobi.

B For Boy

d: Chika Anadu c: Uche Nwadili, Nonso Odogwu, Ngozi Amarikwa, Frances Okeke, Nigeria 2013, 118 min

In Chika Anadu’s award-winning debut film, Amaka, a 40-year-old Nigerian woman, is expected to produce a male heir. But when the baby dies in utero, she desperately searches for a solution that would keep her husband from taking a second wife.

Difret

d: Zeresenay Berhane Mehari c: Meron Getnet, Tizita Hagere, Ethiopia 2014, 99 min

After being beaten, assaulted, and kidnapped, 14-year-old Aberash shoots and kills her attacker in an act of self-defense, pitting herself and her tenacious lawyer against Ethiopia’s long-standing tradition of marriage by abduction. Based on an extraordinary true story.

Electro Chaabi

d: Hind Meddeb, Egypt/France 2013, 77 min

They started as performers in the poorest neighborhoods of Cairo; now they’re among Egypt’s fastest-rising stars. Unlikely musical celebrities, their electrifying version of Arab hip hop has flourished across social classes to become the inspiring soundtrack to a tumultuous time.

Finding Fela

d: Alex Gibney, USA 2014, 120 min

Afrobeat pioneer Fela Kuti’s magnetism reverberates through time. The social and political significance of his life’s work is considered through historic clips and scenes from the Broadway musical FELA!

Four Corners
NORTH AMERICAN PREMIERE

d: Ian Gabriel c: Brendon Daniels, Irshaad Ally, Jezriel Skei, Lindiwe Matshikiza, Abdurahman Adams, South Africa 2014, 114 min

13-year-old chess prodigy Ricardo gets caught between two long-warring gangs, the 26s and the 28s of the pitiless Cape Flats of South Africa, just as the father he’s never known is released from prison.

Half of a Yellow Sun

d: Biyi Bandele c: Thandie Newton, Chiwetel Ejiofor, John Boyega, Anika Noni Rose, Joseph Mawle, Nigeria/United Kingdom 2013, 106 min

Based on the eponymous novel by Chimamanda Ngozi Adichie, Half of a Yellow Sun follows the lives of two Nigerian sisters in the 1960s who return home after receiving educations in England. The tumultuous Nigerian Civil War is the backdrop to this author-approved drama adaptation.

Leading Lady

d: Henk Pretorius c: Gil Bellows, Katie McGrath, Brumilda van Rensburg, Bok van Blerk, Eduan van Jaarsveldt, South Africa 2014, 96 min

From the director of Fanie Fourie’s Lobola, winner of the SIFF 2013 Golden Space Needle Award for Best Film, comes this uplifting tale of a teacher and struggling actress who enlist a South African sheep farmer in helping her prepare for a make-or-break film role.

Rags and Tatters

d: Ahmad Abdalla c: Asser Yassin, Atef Yousef, Amr Abed, Yara Gubran, Mohamed Mamdouh, Egypt 2013, 87 min

A nameless fugitive fights his way through the chaos of revolutionary Cairo to deliver cell phone footage of police brutality from his dying friend to the outside world. Hailed as “a touchstone of post-revolutionary Egyptian cinema.”

The Rooftops

d: Merzak Allouache c: Adila Bendimerad, Nassima Belmihoub, Ahcene Benzerari, Aïssa Chouat, Mourad Khen, Algeria/France 2013, 92 min

Algeria’s most beloved director weaves the story of five Algiers neighborhoods organized according to the five calls to prayer over the course of a single day.

Salvation Army

d: Abdellah Taïa c: Saïd Mrini, Karim Ait M’hand, Amine Ennaji, Malika El Hamaoui, Frederic Landenberg, Morocco/France 2013, 82 min

Inspired by the director’s own experiences, the film recounts the journey of a gay Moroccan teenager who uses his sexuality to advance his position in, and eventually escape, the society that shuns him. A brave, provocative film that tackles taboo issues to offer a new vision of the queer Arab experience.

Under the Starry Sky

d: Dyana Gaye c: Marème Demba Ly, Ralph Amoussou, Souleymane Seye N’Diaye, Maya Sansa, Babacar M’Baye Fall, France/Senegal 2013, 86 min

Through three emotionally charged story lines, taking viewers from Senegal to Italy to America and back again, the destinies of three far-flung sojourners connect in this transcontinental drama that’s a richly realized examination of the African diaspora and the often fractal nature of contemporary emigration.

White Shadow

WORLD PREMIERE

d: Noaz Deshe c: Hamisi Bazili, James Gayo, Glory Mbayuwayu, Salum Abdallah, Germany/Italy, Tanzania 2013, 115 min

In Tanzania, young albino Alias is on the run after witnessing his father’s murder. He finds city life as fraught with danger as the bush in this intense and stunning feature debut centering on crime perpetrated because of superstition.

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