Reeling from the death of his iconoclast mother, an emotionally stunted, mentally ill man must traverse to her funeral in Ari Aster’s oft-indescribable dark comedy, Beau is Afraid. Aster frames the journey as if he were Homer himself, making for a melodramatic and depraved comedy of errors turned familial nightmare, stuffed to the brink of bursting with pure orchestrated chaos. Shocking, subversive, and very often hilariously funny, the genre-defying A24 feature stars Joaquin Phoenix as the titular Beau, a man for whom the pressures of the world are quite overwhelming. The film plays like What About Bob as remade by the director of Hereditary, but as an Oedipal fever dream. It’s a lot thematically. It’s a lot structurally. It’s a lot from a performance-perspective. It’s just a lot of movie. And most of it is pretty brilliant. Read More
Out in Theaters: INSIDE OUT
It’s been five long years and three mediocre products since Pixar unleashed the beloved Toy Story 3, and years of bated breathe have contribution to the hot anticipation of their first original effort since 2012’s problematic Brave. The titanic mummer of Pixar’s throbbing heartbeat has been notably muted and palpably chunky over the last half-decade – the result of Disney dollars hierarchized above lush originality and narrative fervor. But with Inside Out, the Docter is in. Stethoscopes have been administered, a double bypass has been performed, the blockage has been loosened. In one fell blow, Pete Docter has served up a whopping Pixar masterpiece and restored the animation studio’s name to its former glory. All hail the king. All hail the Docter.