What could have and should have been a lean mean socially-relevant cop thriller turns to indulgent putty in the hands of director Deon Taylor (The Intruder, Meet the Blacks.) Black and Blue hangs on but a single idea, one that James Moses Black’s Officer Brown conveys to his fellow pigmented protagonist Alicia West (Naomie Harris) early on in the film, “You’re not black anymore. You’re blue.” Meaning, the rookie cop should now identify as police, not African-American, because that is how the world sees her now. In the world Taylor creates, black and blue don’t mix.  Read More