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Body Cam Cop Thriller ‘BLACK AND BLUE’ Doesn’t Capture Greatness

What could have and should have been a lean mean socially-relevant cop thriller turns to indulgent putty in the hands of director Deon Taylor (The Intruder, Meet the Blacks.) Black and Blue hangs on but a single idea, one that James Moses Black’s Officer Brown conveys to his fellow pigmented protagonist Alicia West (Naomie Harris) early on in the film, “You’re not black anymore. You’re blue.” Meaning, the rookie cop should now identify as police, not African-American, because that is how the world sees her now. In the world Taylor creates, black and blue don’t mix.  Read More

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Out in Theaters: ‘BILLY LYNN’S LONG HALFTIME WALK’

Let’s get one thing out of the way first. Billy Lynn’s Long Halftime Walk is a terrible name for a film. You know it. I know it. Everybody knows it. A clunky mouthful, the title is culled directly from the celebrated novel of the same name from Ben Fountain, who won several novelist awards for his work including the National Book Critics Circle Award for Fiction, but that doesn’t mean that such a jargony mouthful needed to remain in place when translated to film. The terrible, horrible, no good, very bad name comes under fire again when you realize that Billy Lynn doesn’t really walk all that much, he kinda just plops down in his Dallas Cowboy stadium seat and remembers exchanging “I Love You’s” with Vin Diesel until it’s his chance to perform with Destiny’s Child. If the previous sentence didn’t make a lick of sense, welcome to Billy Lynn’s Long Halftime Walk.
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