“Captain America: The Winter Soldier”
Directed by Anthony Russo, Joe Russo
Starring Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Emily VanCamp, Toby Jones
Adventure, Action, Sci-Fi
136 Mins
PG-13

Growing up in the 1940s gives Steve Rogers an excuse to not understand the mechanics of speed dial. But when neo-Nazi’s threaten the freedom of the entire world, you have to wonder why he’s not more focused on contacting his nuclear suit-wearing chum, Tony Stark, or the bad Shakespeare in the park actor/Norse God, Thor. Unless he’s gone on some spirit journey to be explained away in extra Blu-Ray bonus material, Tony’s probably just shambling around Stark Towers in his drawers. His billionaire skyline must be literally cast in shadow by the helicarriers of doom that Captain America’s trying to take down with the only weapons at his disposal: record-breaking sprinting skills and a shield. The fate of the entire world is at stake and here’s good hearted Steve clearly taking a hell of an ass-whopping and he still doesn’t see fit to call up his Avengers pals? Or at least try? I’m sorry but you lost me there.

The one thing that Kevin Fiege and his Marvel Movie Universe croonies tend to get right is they suit the adventure to the adventurer. The threats Iron Man faced in his third outing were largely personal. A wronged colleague becomes a viable villain, he’s forced to deal with PDST from a near death experience and his personal arsenal of humanoid WMDs transforms him from a private citizen into national defense mascot numero uno. There were larger implications at play had he not gotten his guy but Stark at least felt well equipped to handle the charge. Thor’s arc in The Dark World involves intergalactic worm holes, gigantic frost monsters and 8-foot tall Dark Elves. But Thor wields a hammer forged in a dying star that gives him the ability to fly around like a blonde, bearded Superman. Being, you know, a god, Thor was the Avenger best equipped to handle such a mark. Sure, having other Supers alongside wouldn’t have hurt but this was a mission that suited Thor’s pedigree. Equipped only with a hunky body, a pure heart and strips of pure sinew for legs (made for putting fellow long distance runners to shame), Captain America (Chris Evans) just seems out of his depths.

Look at him in The Winter Soldier. His big mission involves a retread task (one we already saw a version of in The Avengers) that he’s simply unfit to handle because, well, his superpowers aren’t really that super. His third act heroics necessitate a flying wingman because he’s simply not equipped to handle the mission solo. Joining him is snarky sidekick Anthony Mackie as Falcon, an ex-Marine with a winged exoskeleton, because calling up Tony Stark or Thor was just… out of the question?

Part and parcel of enjoying these Marvel movies is digesting them with a spoonful of salt, especially when we’re looking at them from a logical standpoint and not a logistical one. Omissions are necessary from a budgetary standpoint and we have to be willing to overlook that… to some degree. But rather than make these shortcomings apparent, smart screenwriting would try to mask the need for the whole gang. This is where Captain America: The Winter Soldier fails hardest; an especially sad reality when contrasted to the contained spy thriller that it’s established as.

Since the events of The Avengers, Cap and his shield shield S.H.I.E.L.D. Before this, Iron Man 2 was the first MMU film to tackle the build towards The Avengers head on and got far too bogged down in the goings on at that shadowy organization to stand as a film itself. The Winter Soldier has becomes it’s Phase 2 predecessor. Like Iron Man 2, it suffers from a fatal diagnosis of teaser syndrome. It’s all about what’s to come, not what’s happening in the now. By the end of the film, the chapter isn’t closed, it’s just beginning. Even it’s titular character, that mysterious Winter Soldier (played by a hollowed out Sebastian Stan), is relegated to a minor role with only an inkling of character.

If only Marvel would realize that not ever venture needed a third-act calamity, that millions must not be dumped on visual effects and that telling a self-contained story is a virtue in itself, then this could have been a rousing triumph. As it is, Cap 2 works so much better when its sights are centered on the smaller scale, when Steve and Scar Jo‘s Black Widow are traipsing around hunting for clues, trying to put a name to faceless villainy.

Give me more super-noir, less hapless explosions. Give me the humor and tragedy of Cap being a man lost in time. Screenwriters Christopher Markus and Stephen McFeely show savvy sneaking in some current political hot buttons as subtext but fail to tell the more personal story of a lost man adapting to a whole damn new century. But this is bane of the Russo Bros’ film; it takes one step forward, two steps back. Every cheer is followed up with a few jeers. With character resolution left dealt with in post-credit stingers and a third act that may as well have been helidropped in from some other movie, the modest enjoyment one gets from Captain America: The Winter Soldier just doesn’t justify the $170 million dollars spent. It’s too busy shoulder tapping you to go see The Avengers 2.

C

Follow Silver Screen Riot on Facebook
Follow Silver Screen Riot on Twitter

After Marvel’s Phase Two, which started with Iron Man 3 and Thor: The Dark World and will continue with Captain America: The Winter Soldier and Guardians of the Galaxy, concludes with Joss Whedon‘s The Avengers 2, the next comic book movie from Marvel universe is Edgar Wright‘s long gestated Ant-Man, a tale about a scientist who creates a suit that allows him to shrink down and communicate with, and subsequently control, ants. Silly though it may seem, with these ant-like powers, Ant-man fights crime on a big scale. Funnyman Paul Rudd was cast as Ant-Man last month and many assumed that Rudd would play the original version of the superhero, Hank Pym. Those assumptions were incorrect.

As it turns out, Rudd was actually cast as the second generation Ant-Man, a Marvel mainstay by the name of Scott Lang. According to Marvel lore, Lang is a thief who steals the original Ant-Man’s technology from Pym, unintentionally burdening himself with the power and responsibility of a super. Today brought news that while Rudd would not play the original version of the character, Michael Douglas would. Obviously, this timeline will see Douglas stepping in as a more veteran version of Pym. This shift makes sense considering Rudd fits the description of a jovial thief more so than he does a serious scientist like the Hank Pym of the comics.

In the comic series, Pym plays an important and essential role in creation of The Avengers. While he was obviously omitted from the creation mythology in the Marvel Movie Universe, Pym will now get to at least have some place in the MMU Marvel films have created. Also notable, Pym was responsible for the creation of Ultron, the bio-mechanical villain from which the second Avengers movie takes its name. Whether or not Douglas will play any role in The Avengers 2 is unknown but somewhat unlikely.

By casting the venerable, well regarded, and, not to mention expensive, Douglas as Pym alongside Rudd as Lang, Marvel has proved that they are willing to continue to shell out for top-shelf talent that comes with name-brand recognition. But even more interesting than Douglas or Rudd is director Edgar Wright‘s involvement, who will likely bring his high-art blend of comedy and action, a common ingredient to the Marvel world. As far as expectations, juxtaposing the snarky Rudd with the gravitas of Douglas could create a potentially excellent repartee and sets this one up to be one of the most interesting combinations out of Marvel’s gates.

Follow Silver Screen Riot on Facebook
Follow Silver Screen Riot on Twitter