In a superhero market defined by over-saturation, whatever the hell Sony is doing with Venom is entirely its own beast. The first installment from maligned director Ruben Fleischer was a wacky misfire that floundered critically but made piles of money, amassing nearly a billion dollars worldwide. My complaints with the 2018 clunker started with the childish script and spiraled all the way down through the weird performances, mismashed tone, off-putting direction, and juvenile needle drops. I ultimately flunked the film and dreaded its sequel, Venom: Let There Be Carnage. Much to my surprise, not only is this follow-up not an abomination but it’s actually pretty fun? Read More
