A maladjusted soon-to-be-middle-schooler and her codependent acupuncturist mother navigate summer break and a string of bad relationships in Pulitzer Prize winning playwright Annie Baker’s studious but tedious drama Janet Planet. Janet and Lacy’s intertwined existence rests at the intersection of intimacy and monotony, as the duo swing between piano lessons, summer camp, local theater, picnics, and barn dances, making for a drily comic but often snooze-inducing portrait of the unique balance that exists between mother and daughter. There are worthwhile pockets and Julianne Nicholson flashes raw tenderness as the freewheeling and woe-begotten Janet but Baker’s film – thatched onto a meager script – is ultimately too impressionistic, rambling, and unfocused to leave much of an impression. (C)
Out in Theaters: ‘BLACK MASS’
Black Mass is a stage upon which Johnny Depp has revived his career, and little more. As the film’s malevolent heavy and famed criminal overlord “Whitey” Bulger, Deep is borderline excellent, brooding and prowling around the screen like a silverback gorilla. On the streets, he’s equally guerrilla, taking down his enemies as well as former-confidantes-turned-rat in maelstroms of cold-shelled slugs. And though Deeps is admirable as the callous and cold Jimmy Bulger, the film itself overwhelmingly replicates its star’s unenviable personality traits in its cinematic aura, resulting in a film that’s even more callous and cold than the iconic gangster at its center. Read More