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Endearing Then Glitchy ‘Y2K’ Runs Out of Comedic Bandwidth

Coming off his little-seen but largely effective feature debut Brigsby Bear, SNL alum Kyle Mooney’s sophomore feature attempts to mash up Superbad and This is the End in an apocalyptic teen comedy that fails to fully connect. Jaeden Martell and Julian Dennison star as Eli and Danny, two unpopular best friends on a quest to kiss girls, and feel boobs, and stuff. After a few shots to steel their courage, the dorky but sweet pair head to the kickback at Soccer Chris’ spot, where Eli’s longtime crush Laura (Rachel Zegler) is recovering from her recent breakup. Part virginity-losing quest, part end-of-the-world action-comedy, Y2K presupposes a revisionist past where all the Y2K fear-mongering was not, in fact, misplaced. The moment the clock strikes midnight in the year 2000, the electronics throughout Chris’ house, tethered together into an apocalypse-minded singularity, band together to attack and subjugate humanity. As is often the case with high-concept comedies, it’s funny until it’s not. Read More

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Out in Theaters: ‘DEADPOOL 2’ 

The novelty of a fourth-wall-breaking, F-bomb-slinging, crotch-grabbing “superhero” may be gone but Deadpool’s not backing down an inch in this full-brunt sequel to the wildly popular R-rated 2016 comic book movie. With Deadpool 2, audiences will get what they expect – Ryan Reynolds spitballing irreverently, kinetic action scenes, a garbage truck full of winks and jabs at other superhero movies – but the comedic blockbuster has been reworked as a whole (*insert Deadpool joke about “reworking” a hole*), ironing out some of the kinks of its lurid predecessor, and making for an all-around more streamlined and better product.  Read More

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Out in Theaters: ‘HUNT FOR THE WILDERPEOPLE’

Taika Waititi‘s oddball Hunt for the Wilderpeople continues the Kiwi director’s aggressive expansion into the mainstream while still maintaining his goofy, grinning, soft-centered tendencies. Coming off the roaring critical success of vampire mockumentary What We Do in the Shadows, Wilderpeople is a more grounded venture (but then again, what isn’t?) that maintains Waititi’s ironic and largely innocent sense of humor while injecting a fair measure of heart into the affair. Read More

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Sundance ’16 Review: ‘HUNT FOR THE WILDERPEOPLE’

Taika Waititi‘s oddball Hunt for the Wilderpeople continues the Kiwi director’s aggressive expansion into the mainstream while still maintaining his goofy, grinning, soft-centered tendencies. Coming off the roaring critical success of vampire mockumentary What We Do in the Shadows, Wilderpeople is a more grounded venture (but then again, what isn’t?) that maintains Waititi’s ironic and largely innocent sense of humor while injecting a fair measure of heart into the affair. Read More