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‘WAKE UP DEAD MAN’ is A Holy Mystery a Few Beads Short of a Full Rosary

Detective Benoit Blanc is back for the third edition of Rian Johnson’s irreverently charming neo-noir Netflix mystery series, Wake Up Dead Man: A Knives Out Mystery. This time knives (and, of course, a murder most foul) are indeed involved, but so is an unholy whodunnit that defies the logic of the material world: a locked-closet killing and an apparent resurrection used as profane misdirection when a slaying at an isolated church leaves everyone scratching their heads and praying to god for answers. The effect is another breezy, well-laid-out puzzle box from Johnson that spins its duplicitous webs, though it falls short of greatness due to an over-reliance on confessional exposition and an underdeveloped ensemble cast. Read More

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‘CHALLENGERS’ Volleys Passion and Obsession in Steamy Love Triangle

“You think you know what tennis is about but you don’t,” Zendaya’s tennis wunderkind Tashi Duncan scolds best friends Art and Patrick. Tennis, she says, is about a relationship. The beauty of the sport isn’t its winning – despite that being the thing that separates champions from wash-outs – it’s about the magic of two people hitting a ball with a racket in complete synchronicity. There the rest of the world falls away, leaving behind a chorus of grunts and pools of sweat, and physical artistry. So too is Challengers about tennis and a relationship. Though the relationship at the center of Luca Guadagnino’s steamy sports drama is neither a traditional doubles or singles match, as the two young men, bunkmates-turned-teammates-turned-rivals, find themselves sparring for the affections of one woman in an awkward, decades-spanning love triangle. Read More

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Victorian Love Lives Matter in Pampered, Prissy, Punctuated ’EMMA.’

Thank Black Phillip that Anya Taylor-Joy accepted the devil’s bargain to live deliciously, otherwise we would have been spared the scrumptious spreads of Emma’s delectable buffet of baked goods and mouthwatering treats. From the nimble macaron to the towering croquembouche, just gazing at the saccharine foodstuffs of Autumn de Wilde’s Jane Austen adaptation is enough to give the viewer a diabetic flair-up.  Read More