At the height of Pixar’s creative boon, Toy Story 3 threatened the impossible: a sequel would be the animation studio’s best movie to date. This on the heels of the triple-threat punch of Ratatouille, WALL-E and Up, to this day the finest consecutive output Pixar would manage. Toy Story, to this point in the studio’s history, was Pixar’s only ongoing franchise – Cars 2 would come along and bust their Fresh streak just one year later – but its sequels managed to keep pace with their starkly original one-off creations by diving deeper into the pathos of its collection of anthropomorphic toys and achieving an even greater sense of world-building. Woody, Buzz and the gang discovered things about themselves by exploring larger sandboxes and, accompanying them, we too saw the world with eyes renewed.  Read More