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‘THUNDERBOLTS*’ Asterisks The Future of this Flailing Franchise

There was a time when Marvel movies were actually kind of fun. They weren’t always particularly good, sure, and they leaned heavily on a tried-and-true formula — to the point where you could watch one trailer and predict every algorithmic story beat, crocodile tear moment, and ironic quip that would tumble out over the next two hours. But despite that heavy-handed template, they still managed to be a good time most of the time: actually playing at inspiring heroics rather than just paying lip service to the idea, wringing out a handful of genuine laughs (largely thanks to some truly terrific casting), and occasionally conjuring up an impressive set piece or two. Thunderbolts* doesn’t manage any of that. It’s both humorless and weightless, unable to decide if it wants to be taken seriously or not. The character work is thin, the drama feels half-hearted, and the whole movie hovers awkwardly between grim and goofy without ever committing to either. Read More

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Out in Theaters: PAPER TOWNS

Paper Towns is as infantile as it is pointless; a sloppily rendered, paint-by-numbers filmic blunder that celebrates femininity and the free spirit without understanding either. It’s a glossy venture through teenagedom (emphasis on “dumb”) that both takes itself too seriously and is too fantastical and inconsequential to be taken seriously. As such, it simply fails to grasp anything of value, though its fingers remain greedily extended. Though acted with suitable gusto by its young cast, Paper Towns is the movie equivalent of a rambling troglodyte, spouting words and ideas without having much to say at all.   Read More