Furiosa: A Mad Max Saga Archives

2024 was a complicated year for film. The aftershocks of the industry strikes were deeply felt, shifting countless productions and leaving gaps in the release calendar, just as the rise of concerns over things like A.I. really took hold. It felt like a transition year in many places. A marker between past and future with the present was anything but certain. The MCU, for instance, released only one film whereas the SSU dropped three, before dropping dead entirely. Yet, even amidst industry turbulence, a number of nothing short of remarkable films emerged—entries that will no doubt remain in rotation on the queue for years to come. It was a year of resilience and creativity, with filmmakers continuing to push boundaries, challenge conventions, and deliver unforgettable stories on the silver screen, despite the myriad challenges to the art form. Read More

Prequelitis, for the purposes of this review, refers to a narrative condition often present in movie prequels, where the story is constrained by the need to align with an already established endpoint. This means that the destination and eventual fate of a character are predetermined in a sense, which can put unnatural constraints on the creative freedom of any film. The challenge of prequelitis is to craft a compelling journey that leads to a known outcome, maintaining tension and interest despite the audience’s keen awareness of where the story will ultimately lead. Some do this masterfully (Andor, Better Call Saul) while others get bogged down in plot machinations and narrative clutter (Solo: A Star Wars Story, The Hobbit Trilogy). Both usually involve filling in backstory, explaining character motivations, plenty of franchise Easter Eggs, and setting up plot points that will pay off within this journey and in future storylines, all while maintaining an aesthetic and tonal consistency with its original intellectual property. Read More