Eva Victor’s Sorry, Baby doesn’t announce itself. And yet, it arrives fully formed, like someone who’s spent enough time in therapy to know that the best medicine is to laugh at their own ridiculous idiosyncrasies. Premiering at Sundance, closing out Director’s Fortnight at Cannes, and now screening at SIFF, the film has quietly (and then not-quite-so-quietly) become one of the most talked-about directorial debuts of 2025. And yet, talking to Victor, there’s no sign they’re taking the acclaim too seriously. Read More