The year is 1987. Halloween is on the horizon. You can tell because there’s a calendar hanging in the kitchen marking down the days. More importantly, the footage of Erin Vassilopoulos’ Superior is intentionally dated-looking, reflecting the lo-fi technology and grainy look of the end of the Regan era. After escaping a dangerous ex, Mary retreats to her unsuspecting identical twin sister’s suburban home, the perfect (and only) hideout she can think of in her unsuspecting Middle America hometown.  Read More