Arkansas-born filmmaker Jeff Nichols has a way of channeling a certain kind of Americana onto the screen that few of his contemporaries are able to capture. There’s a very particular kind of grit and masculinity that defines a Nichol’s feature, with characters experiencing gnawing heartache and an often overbearing patriarchal sense of responsibility, despite often being on the fringes of society, manic or mad to many outsiders looking in. This is as true in Take Shelter and Mud—both about ‘crazed’ outsiders—as it is in Loving and Midnight Special, the former depicting Richard and Mildred Loving’s arrest for their interracial marriage in 1960s Virginia, and the latter a sci-fi drama about a father protecting his ‘powered’ son at all costs. Read More