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A Talented Cast Can’t Save ‘SPEAK NO EVIL’ Remake That Pulls Its Biggest Punches

Speak No Evil, the disturbing Danish original that James Watkins’ American remake is based on, made my Top Ten when it debuted in 2022, in part because of how deeply affecting its unique brand of cringe-inducing psychological horror was. Part of what made Christian Tafdrup’s mannered but murderous satire on the social niceties we extend to strangers so sinister was its lack of physical violence. In its place was an escalating pattern of coercion that pushed boundaries further and further until suddenly: a ledge. The victims in the story were victims of their own complacency as much as the malice of their tormentors. The price they pay is high. Read More

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Sundance ’22: Cringe Turns Utterly Chilling in Knockout Psychological Horror ‘SPEAK NO EVIL’

There are certain moments in life when everything in our body tells us to run away from a situation but we still hesitate because we want to be polite. Maybe it’s a weird conversation with a glassy-eyed drunk we got trapped in at a fundraiser. Or a flirtation turned suddenly uncomfortable with some girl we met at a bar. We don’t want to hurt the feelings of strangers. We stay out of some bizarre (and overly trusting) Western societal norm. We afford the benefit of the doubt. Sometimes to those who have not earned it. In Speak No Evil, all kinds of instinctual alarms go off but no one is paying attention to their instinct. They’re playing right into the hands of societal expectation – and then they are exploited. Read More