Those who hearken back to the golden Clintonian Summers of the 90’s might remember seeing The Fifth Element on the big screen during its maiden theatrical run. A blockbuster facing a mixed press at the time, but finding near cult status twenty years later. A defining moment for director Luc Besson. Or at least as defining as when he discovered Natalie Portman at a Pizza Hut and cast her in a hitman film with a coked-out Gary Oldman and Jean Reno. Or something like that. Read More
Out in Theaters: PAPER TOWNS
Paper Towns is as infantile as it is pointless; a sloppily rendered, paint-by-numbers filmic blunder that celebrates femininity and the free spirit without understanding either. It’s a glossy venture through teenagedom (emphasis on “dumb”) that both takes itself too seriously and is too fantastical and inconsequential to be taken seriously. As such, it simply fails to grasp anything of value, though its fingers remain greedily extended. Though acted with suitable gusto by its young cast, Paper Towns is the movie equivalent of a rambling troglodyte, spouting words and ideas without having much to say at all. Read More