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Old-Timey Underdog Sports Drama ‘THE BOYS IN THE BOAT’ Lacks Personality, Punch 

George Clooney’s adaptation of Daniel James Brown’s biography, ‘The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics,’ is a study in contrast.  Brown’s diligently researched and thrillingly told biography loses its texture and depth, succumbing to  formulaic filmmaking. The film falls prey to the pitfalls of a tepid adaptation, trading the story’s nuance for Hollywood shorthand, effectively reducing it to a SparkNotes version of events. As a film, The Boys in the Boat overlooks its most crucial element: the individual boys in the boat. Presented as a singular unit, the boys emerge as a vague assortment of working-class underdogs, lacking distinct individual characterization. By glossing over the individual motivations of each boy, the film forfeits its inspirational potential, resulting in a glossy and paint-by-numbers recounting of events. Read More

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Victorian Love Lives Matter in Pampered, Prissy, Punctuated ’EMMA.’

Thank Black Phillip that Anya Taylor-Joy accepted the devil’s bargain to live deliciously, otherwise we would have been spared the scrumptious spreads of Emma’s delectable buffet of baked goods and mouthwatering treats. From the nimble macaron to the towering croquembouche, just gazing at the saccharine foodstuffs of Autumn de Wilde’s Jane Austen adaptation is enough to give the viewer a diabetic flair-up.  Read More

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Talking with Jeremy Saulnier of ‘GREEN ROOM’

Jeremy Saulnier emerged from the shadows last year with his not-quite-cult independent smash Blue Ruin. About a man fatally ill prepared to strike justice on the man responsible for his parent’s slaying, Saulnier managed an original voice in a familiar setting. With this year’s Green Room, he’s managed to strike the sweet spot once more. An uncompromisingly violent tale of a hapless punk band (played by Alia Shawkat, Anton Yelchin, Callum Turner and Mark Webber) who come head to head with a Neo Nazi club owner (an intimidating as hell Patrick Stewart) is shrouded in viscus and plays like a violent assault to the senses. Visceral and mean, Saulnier has sharpened his edge as a filmmaker to craft a siege film set in a seedy underbelly society that’s absolutely boiling with tension. Read More

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Out in Theaters: ‘GREEN ROOM’

Hot from the critical heralding of Blue Ruin, Jeremy Saulnier returns to the world of white trash and movies with colors in their title with Green Room. An ultraviolet fantasy of viscus and vengeance, Green Room is as unapologetic as a Misfits album, as dead-serious as a KKK rally and as boastfully savage as a scalping. Characters find themselves torn to kibble by attack dogs, slashed to crimson ropes by box cutters and blasted in the face at point blank range with shotguns. Read More

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Sundance ’16 Review: ‘GREEN ROOM’

Hot from the critical heralding of Blue Ruin, Jeremy Saulnier returns to the world of white trash and movies with colors in their title with Green Room. An ultraviolet fantasy of viscus and vengeance, Green Room is as unapologetic as a Misfits album, as dead-serious as a KKK rally and as boastfully savage as a scalping. Characters find themselves torn to kibble by attack dogs, slashed to crimson ropes by box cutters and blasted in the face at point blank range with shotguns. Read More