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‘THE SMASHING MACHINE’ is a Shockingly Flat Affair

A smorgasbord of tired biopic tropes piped into one impressively dull sports drama, The Smashing Machine follows a UFC pioneer battling opioid addiction and a toxic relationship while clawing his way to the top of the sport. The problem is, even for a world-class grappler, there’s simply nothing here to hold onto. The characters are flat, the chemistry shallow, the performances serviceable+ at best, and the whole production feels strangely low energy, especially considering the film comes from Benny Safdie of the Safdie Bros, the man (partially) responsible for two of the most electric films of the 2010’s in Good Time and Uncut Gems. Read More

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Heartbreaking ‘PIECES OF A WOMAN’ Kicks the Dead Horse

Emotional devastation is something everyone living through 2020 is too well acquainted with but Kornél Mundruczó’s tearjerking Pieces of a Woman suggests that things can always be worse. The Hungarian White God writer and director paints a tumultuous portrait of a husband and wife undergoing an incredible loss with unflinching precision, using a voyeuristic approach to nestle into their most personal, private moments and translating it to the screen in a novel, wholly disturbing manner.  Read More

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‘UNCUT GEMS’ Bets Big on Sandman’s Dramatic Chops

The unique genius of the Safdie Bros is that they can put Adam Sandler in one of his best dramatic roles to date and still start the movie with a classic Sandman butthole joke. In Uncut Gems, Sandler plays skeezy jeweler Howard, a Jewish Big Apple resident and compulsive gambler in Manhattan’s Diamond District. We meet Howard via his insides, in the midst of a colonoscopy, and things just get more shit for him from there. Howard owes just about everyone in the city, running up spendy vigs with the local pawn shops, wheeling and dealing with low-rent loansharks, and making sketchy deals with his more mobbed-up acquaintances. Exactly the kind of people you don’t want to owe a penny to. Read More