Film Reviews, Interviews and Articles
With the aptly titled Cocaine Bear, there is indeed a bear who is on cocaine. If that’s all you’re looking for from a movie like Cocaine Bear – a bear on cocaine who attacks humans – I guess this ought to satisfy those bare minimum requirements. If however you’re looking for things like three-dimensional characters, well-written bits, or even basic movie logic, you’ll find Elizabeth Banks’ film pretty, well, barren. Read More
Following an 18-year hiatus, Warren Beatty returns to the silver screen with free-wheeling throwback Rules Don’t Apply. Following the twilight years of American aviation and film baron Howard Hughes as he slowly descends into paranoia and madness, Rules Don’t Apply affixes the bones of an old-timey romantic comedy to an unconventional biopic making for a nostalgic glimpse into film making’s past that’ll have you asking “Why don’t they make ‘em like they used to?” Read More
The Coen Brothers’ Hail, Caesar! exists in some zany cinematic purgatory of indecisiveness. Their critique of 1950s Hollywood dwells in an occasionally bemusing middle ground; that is, it can’t decide whether it wants to be a skewering of or a love letter to the golden era of tinsel town. Those who’ve found solace in the bewilderingly esoteric arms of A Serious Man or the bombast of The Hudsucker Proxy will likely concede Hail, Caesar! as a new coming for the seriocomic duo but I like my Coen’s like I like my coffee and Hail, Caesar!’s semi-satirical goofball makeup couldn’t be further from the blackest of comedy that defines the brothers’ greatest ventures. Read More