Against the cynical backdrop of Margaret Thatcher’s UK, Blinded By the Light tells a true-and-true tale of a Pakistani writer finding his voice and independence through the discovery of American heartland rocker Bruce Springsteen. It’s a heartfelt fantasy wherein every problem can be solved with a well-placed Springsteen lyric but one that ultimately does little to distinguish its coming-of-age story from the countless working-class renditions that came before it. Javed’s status as an immigrant in an increasingly racist UK and strain on his relationship with his traditional father are explored to a degree but it all feels cliché, despite its unwavering earnestness and nagging personal touch. Almost giddily cheesy, this feel-good crowdpleaser benefits from its patent sincerity and thoughtful cultural angle, even if it is still much too long. (C+)
A SIFF 2019 Capsule Review
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By: Matt Oakes
Started blogging about film in college when the university paper wouldn’t have him. Dislikes your consensus film Twitter favorites. Devotee of horror movies that make him die a little inside. Catches films at festivals when he can. Proud SFCS and OFCS member and Tomatometer-approved critic. Editor-in-chief of Silver Screen Riot.
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