Rodrigo Grande’s devilish Argentine caper pits a paraplegic engineer against a malevolent troop of thieves burrowing beneath his house to rob a nearby vault. Nail-biting and pitch black in tenor, At the End of the Tunnel employs star Leonardo Sbaraglia’s dramatic chops to create a complicated protagonist, even if his villainous counterparts are at times cartoonishly evil. Drawing inspiration from the likes of David Fincher’s Panic Room, Grande’s is a worthwhile pursuit for those who want a little slice of dark Hollywood sheen to their foreign language dishes. (B-)
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By: Matt Oakes
When not plugging away at his computer, Matt can be found holed up in his Seattle home or hidden amongst the mountains. Started blogging about film in college when the college paper wouldn’t have him. Watcher of far too many films annually. Horror nut. Regular attendee @ Sundance, SXSW, SIFF. Editor-in-chief of Silver Screen Riot.
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