SIFF ’17 Capsule Review: ‘AT THE END OF THE TUNNEL’

Rodrigo Grande’s devilish Argentine caper pits a paraplegic engineer against a malevolent troop of thieves burrowing beneath his house to rob a nearby vault. Nail-biting and pitch black in tenor, At the End of the Tunnel employs star Leonardo Sbaraglia’s dramatic chops to create a complicated protagonist, even if his villainous counterparts are at times cartoonishly evil. Drawing inspiration from the likes of David Fincher’s Panic Room, Grande’s is a worthwhile pursuit for those who want a little slice of dark Hollywood sheen to their foreign language dishes. (B-)

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