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Sundance ‘26: ‘THE INCOMER’ An Oddball Isle Curio Ripe with Laughs

Brother and sister Isla (Gayle Rankin) and Sandy (Grant O’Rourke) have been living alone on the isolated, windswept Auk Isle off the coast of Scotland for 30 years. Entirely self-reliant, they spend their days hunting and gathering, swapping feverish tales of mainland threats, and preparing for phantom invaders. This translates to things like netting seagulls to make soup, resisting temptations from the seal-faced Fin-Man who may or may not be imaginary, and whacking each other about the head like a Punch and Judy act. They’re feral in that specific way only children left entirely to their own devices can be, raising each other into wild, loyal delinquents. Read More

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Sundance ‘26: ‘UNDERTONE’ is Actually the Scariest Movie in Years

Anytime a new horror movie comes out, horror fans and critics trip over themselves to call it the scariest movie since Hereditary, which was the scariest movie since Paranormal Activity, which was the scariest since The Blair Witch Project, which was the scariest since The Exorcist, and so on in an endless horror ouroboros of escalating hype. Well, Undertone, a possession movie about paranormal podcast hosts who stumble upon a ten-part series of increasingly cursed audio clips, is actually, hyperbole aside, the scariest movie in quite some time. It earns that title not with jump scares or gore, but with an impressively economical command of its audience’s every sense. Writer-director Ian Tucson sets his hooks early, relying on restraint, minimalism, and some of the best sound design in the genre to ratchet tension from subtle unease to full-body chill. Read More

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Sundance ‘26: ‘THE MUSICAL’ Is Elite Crash Out Cringe Comedy

Doug Leibowitz (Will Brill) is an ostensibly mild-mannered but deeply disillusioned middle school theater teacher and once maybe promising playwright. When the Cedarhurst Middle School teacher is forced to confront the reality that his ex-girlfriend Abigail (Gillian Jacobs), who he thought he was still “on a break” with, has started dating the smarmy, aggressively politically correct school principal Brady (Rob Lowe), Doug suffers a near-total mental breakdown. In a bid for revenge and recognition, Doug decides to tank the school’s reputation, and alongside it Principal Brady’s, as the two are competing for a blue ribbon of academic excellence. To do so, Doug shelves his class’s production of West Side Story in favor of a secret musical he wrote about 9/11. Read More

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Sundance ‘26: ‘THE GALLERIST’ is A Frenetic Art World Satire Hoisted on Its Own Petard 

Cathy Yan’s absurdist satirical comedy The Gallerist may attempt to be an on-the-nose skewering of the art world, but even committed performances from its all-star cast can’t make up for weak jokes and thin satire. Natalie Portman stars as Polina Poliski, an ambitious and unscrupulous gallerist who, in the midst of Art Basel Miami, is confronted with an absurd situation: after a colorful confrontation, a hackneyed, rival art influencer accidentally impales himself on one of the statues her gallery is featuring. Rather than call for help, Polina sees a publicity opportunity. She decides to “curate” his corpse into art. The piece goes viral almost immediately. And so begins a countdown to sell the “art” before it’s discovered for what it actually is. Read More

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Sundance ‘26: ‘ROCK SPRINGS’ Excises The Ghosts of A Not-So Distant Shame

During Ghost Month, the boundary between the living and the dead is supposed to thin. The gates of hell open up. The ghosts get hungrier. Or so says Gracie’s Nai Nai (Fiona Fu), who delivers this unsettling tidbit with the weary authority of someone who’s seen some things. For Gracie’s family, this bit of folklore hits particularly hard. Her father has just died, and the family has retreated to the sleepy countryside town of Rock Springs to regroup, grieve, and move forward. No such luck. Read More

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Sundance ’26: ‘THE WEIGHT’ Is a Perfect Dad Movie with Arthouse Details

In the midst of the Great Depression, Samuel Murphy, played by the ever-reliable Ethan Hawke, is separated from his daughter and sent to a hard labor camp. His crime? Being poor. And maybe punching the wrong guys. At the camp, Warden Clancy (Russell Crowe) notes Murphy’s quiet intelligence and problem-solving gumption; he might just be able to help the warden out of a bind in exchange for a commuted sentence. That’s the setup for Padraic McKinley’s gorgeously mounted, pulse-thrumming survival adventure The Weight, a film that drapes a muscular, objective-driven plot over lush period-piece trappings. It’s beautifully crafted, yes, but also accessible, energetic, and smarter than it initially lets on. Read More

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Sundance ‘26: ‘SEE YOU WHEN I SEE YOU’ Is a PTSD-Suicide-Cancer Comedy That’s Still Somehow Funny

Aaron (Cooper Raiff) is having a tough time of it. His little sister, Leah (Kaitlyn Dever), his best friend and, maybe, his soul mate (in the completely platonic sense), has taken her own life. Though she’d wrestled with mental health issues in the past, the reality of her actually following through, of truly leaving home behind, does not compute. His brain simply cannot file it away. He’s stuck, spinning in the grief of her loss and the PTSD of being the one who found her. Read More

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Sundance ‘26: ‘HA-CAN SHAKE YOUR BOOTY’ Is a Joyous Celebration of Movement and Change

Loving married couple Haru (Rinko Kikuchi) and Luis (Damián Alcázar) have been practicing for the amateur Latin senior dance contest in director Josef Kubota Wladyka’s Ha-Chan Shake Your Booty. At home, Haru watches ballroom dance videos, studiously. Luis lovingly calms her nerves. They are prepared. They are in love. When their dance finally comes, in the midst of its larger-than-life climax, Luis is struck dead. Haru is left spinning. Read More

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Sundance ‘26: ‘HOW TO DIVORCE DURING THE WAR’ Sees Battle Breakout at Home and Abroad

The dissolution of a twelve-year marriage is a complicated thing, especially when you have a kid. Even moreso when you are facing the potential of impending war. Lithuanian couple Marija (Žygimantė Elena Jakštaitė) and Vytas (Marius Repšys) are stuck in a loveless marriage, but Marija’s, ahem, strongly-worded proposal for separation couldn’t have come at a worse time in Andrius Blaževičius’s How to Divorce During the War. As Russia invades Ukraine, Marija and Vytas find themselves stalled, trying to move forward into marital dissolution, while thrust into great sociopolitical uncertainty. Read More