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Out in Theaters: IRRATIONAL MAN

To “get into character,” many actors have taken it upon themselves to devastate their money-making temples. History credits Robert De Niro with starting the trend; his packing on pounds for Raging Bull set a record, as well as the stage for silver screen physical transformations. Today, Christian Bale is a particularly looney example of someone willing to batter himself with physically implausible weight-gain and loss but, to his credit, it informs his performance in oft tremendous ways. Read More

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Out in Theaters: MISSION IMPOSSIBLE: ROGUE NATION

For the sake of honesty, I’ll report this: I loved 2011’s Mission Impossible: Ghost Protocol too much. So much so that it earned a slot in my top ten that year. To this day, it’s my favorite of the series and an improbably rewatchable event film. Even with a somewhat spotted past (Mission Impossible 2 is fun though objectively not the greatest film accomplishment), the Mission Impossible franchise is one of my sleeper hit favorites, with the last two entries –  the aforementioned addition from Brad Bird and J.J. Abrams‘ Phillip Seymour Hoffman-starring threequel – delivering some of the series’ absolute best material. When it was announced that Christopher McQuarrie (director of Jack Reacher, screenwriter of Batman & Robin) had mounted the directorial stool for the fifth iteration of Ethan Hunt’s impossible missions, my anticipation shuttered and cautiously withdrew. Read More

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TRUE DETECTIVE Season 2 Episode 6 Review “Church in Ruins”

hurch in Ruins is why True Detective was worshipped to begin with. So far, the best episode of the season is reminiscent of Rust’s extended action sequence through the ghetto. Bez’s (Rachel McAdams) subplot’s climax evoking–either a Kubrickian or Lynchian (either way, brilliantly twisted and atmospheric) tone–matches Velcoro’s unbridled snowy Cuervo bender. Read More

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Director Face/Off: Paul Thomas Anderson Vs. Quentin Tarantino (Part Two – Reusing Actors)

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This time, Director Face/Off pits two legendary visual storytellers against each other: Paul Thomas Anderson and Quentin Tarantino. While some may disagree, the two have some stuff in common – both directors were obsessed film fanatics at very young ages, broke into the industry humbly by way of short films and co-written screenplays, and then went on to make cinematic staples like Pulp Fiction and Boogie Nights. Both directors make solid, intriguing films held up by foundations of strong, colorful characters, nonlinear narrative continuity and plenty of violence. Who does it all better, though? 


Like our former Face/Off directors, Wes Anderson and Richard Linklater, Paul Thomas Anderson and Quentin Tarantino have a thing for reusing actors. Let’s find out who reuses their talent of choice better.

Battle 2: Reusing Actors

Round One:Recently Updated9

Philip Baker Hall

Anderson Filmography: Cigarettes & Coffee, Hard Eight, Boogie Nights, Magnolia. 

Michael Madsen 

Tarantino Filmography: Reservoir Dogs, Kill Bill Vol. 1, Kill Bill Vol. 2, Sin City (Tarantino was a “guest director) 

Anderson landed the talent of Philip Baker Hall in his debut short Cigarettes & Coffee, garnering them both a cult following that amassed even more following Magnolia, and Hall’s role as game show host Jimmy Gator. Michael Madsen is most notably remembered as Mr. Blonde in Reservoir Dogs, the guy responsible for the iconic “ear scene,” in which he also dances nonchalantly to Stealers Wheel. There’s no denying Madsen’s roles in Tarantino films are quite typically the lovable badass villain, as proven by his role as Budd in the Kill Bill series.

Winner: Michael Madsen/ Tarantino 

Round Two:

Recently Updated10

Joaquin Phoenix

Anderson Filmography: The Master, Inherent Vice

Uma Thurman

Tarantino Filmography:Pulp Fiction, Kill Bill Vol. 1, Kill Bill Vol. 2 

Anderson’s work has always been deep in story and subject matter, but at one point in his career, his work went from deep to really f-ing heavy, around the time that There Will Be Blood came out. Following the two and a half hour oil-drilling epic drama came The Master, where Joaquin Phoenix plays Freddie, a drifter haunted by inner demons and PTSD who follows a leader of a religious movement. Uma Thurman’s roles as Beatrix Kiddo in the Kill Bill series and Mia Wallace in Pulp Fiction are both pretty much legendary in cinema. With rumors of a third installment to the Kill Bill series in the works, there’s just no battle here!

Winner: Uma Thurman/ Tarantino

Round Three:Recently Updated11

Philip Seymour Hoffman

Anderson Filmography: Hard Eight, Boogie Nights, Magnolia, Punch Drunk Love, The Master

Samuel L. Jackson

Tarantino Filmography: Pulp Fiction, Jackie Brown, Kill Bill Vol. 2, Django Unchained 

 This is a very difficult round, due to the incredible talent of both Philip Seymour Hoffman and Samuel L. Jackson. While Jackson is a Tarantino staple, known for his righteousness, filthy yet quotable lines and just general badassity, Hoffman is just as worthy from his proven versatility and range in Anderson’s films alone.Between confessing unrequited love for Dirk in Boogie Nights or leading people into an inner circle of unconventional beliefs as a religious leader in The Master, Hoffman gives incredible, real performances. RIP Philip Seymour Hoffman!

Winner: Philip Seymour Hoffman/ Anderson

Subjective Winner: Tarantino Reuses Actors Better

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Join us next week for the next battle,  and check out prior segments:

Battle #1: Tell Offs

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Out in Theaters: VACATION

Harold Ramis took the family vacation movie off cruise-control in 1983, proffering a deliciously crass road trip film lead by an insolent (and borderline sociopathic) father figure in Chevy Chase and penned by none other than the mighty John Hughes. A sickly twist on nuclear morals and unadulterated, thoroughly punitive obsession, National Lampoon’s Vacation etched a dark twist on small town American dreams, couching the woes of extended family, the thirst for adventure and the troubles of enclosed spaces in with themes of adultery, abuse, abandonment and totally warped family values; with a corporate theme park ironically standing in as a last bastion of joy. Ramis’ was no small feat – he had crafted a thing of jet black social commentary that sang out with sharp barbs of comedy. Read More

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NETFIX: 3 Crime Series That’ll Have You Hooked

The great thing about Netflix is that it gives you a lot of TV and movie watching options. The bad thing about Netflix is that it gives you…a lot of TV and movie watching options. To cut down on your Netflix search and discover time, Netfix aims to ease the process of parsing the good from the bad. The great from the not so great. From action films to foreign dramas, we’re raked the catalogs to offer only the finest that the preeminent streaming service has to offer. So settle in, get your remotes ready and prepare for the red wave of Netfix to wash over you.
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Out In Theaters: LUCKY STIFF

Lucky Stiff, from director Christopher Ashley, is a hard sell. It’s a dark comedic adaptation of an off-off broadway musical, from the creative team who would go on to create Ragtime. The musical numbers and between scene animations derail the normal slice-of-life grittiness that carries a lot of dark comedies, however, while the musical numbers are not intricate or tuneful enough to eradicate the criticisms usually leveled at musical theater. Critics of either dark comedies or musical theater should turn their attention elsewhere for an evening’s entertainment, as Lucky Stiff is unlikely to create new converts. But it is not without its charms. Read More

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Talking with Harry Lloyd of BIG SIGNIFICANT THINGS

Harry Lloyd has developed a fan base through a number of television roles, including a two-episode arc on Doctor Who and, more recently, as Viserys Targaryen on Game of Thrones, as well as parts on the stage and the big screen. Viewers familiar with his work may be surprised to see the English actor playing the Jersey-native protagonist of Big Significant Things, which premiered at SXSW. With its theatrical run opening this weekend, we spoke with Lloyd about independent filmmaking, the American south, and chewing tobacco. Read More

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Out in Theaters: BIG SIGNIFICANT THINGS

Big Sig 6

Big Significant Things opens on what seems to be a big, significant thing: the “World’s Largest Cedar Bucket.” We first meet our protagonist as he gazes at the bucket with an expression of quiet awe, though already we can see a hint of desperation in the wideness of his eyes and his attempts to engage a local about the bucket’s history. Craig is a twenty-something guy in a serious relationship with Allison, who is in San Francisco picking out the home they plan to buy together; we come to find out that Craig is on his cross-country, “world’s largest”-sightings trip alone, though Allison believes he’s traveling for work. As we come to find out, he’s not just looking for the best American landmarks; he’s on a journey of last-chance freedom and self-discovery before settling down with his “perfect” girl.
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Out in Theaters: PAPER TOWNS

Paper Towns is as infantile as it is pointless; a sloppily rendered, paint-by-numbers filmic blunder that celebrates femininity and the free spirit without understanding either. It’s a glossy venture through teenagedom (emphasis on “dumb”) that both takes itself too seriously and is too fantastical and inconsequential to be taken seriously. As such, it simply fails to grasp anything of value, though its fingers remain greedily extended. Though acted with suitable gusto by its young cast, Paper Towns is the movie equivalent of a rambling troglodyte, spouting words and ideas without having much to say at all.   Read More