BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Thursday, May 7, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

WEEKLY REVIEW

Your weekly guide to what's worth watching: capsule reviews and picks for new theatrical and streaming releases.

REVIEW
Weekly Review 29: THE CROW, PARANORMAL ACTIVITY 2, GOMORRAH, THE MIST

Weekly Review 29: THE CROW, PARANORMAL ACTIVITY 2, GOMORRAH, THE MIST

After a full week at the theater that resulted in reviews for Wadjda, Carrie, All is Lost, Kill Your Darlings, and The Fifth Estate, I took to catching up with some Halloween-themed movies at home. After taking the next step into the Paranormal franchise, I delved into Alex Proyas‘ The Crow, the Italian mob movie...

REVIEW
Weekly Review 27: JESSE AND CELESTE FOREVER, FAST FIVE, MAMA, UPSTREAM COLOR, OZ: THE GREAT AND POWERFUL, THE LAST EXORCISM: PART 2

Weekly Review 27: JESSE AND CELESTE FOREVER, FAST FIVE, MAMA, UPSTREAM COLOR, OZ: THE GREAT AND POWERFUL, THE LAST EXORCISM: PART 2

It’s been a long, long time since the last edition of Weekly Review so this installment should realistically read more like Monthly Review butlet’s just pretend together here. Aside from some at home viewing that included getting through the first season of BBC’s Luther, which I’ve really begun to enjoy, some easily digestible watching with...

REVIEW
Weekly Review 26: JACK REACHER, 4 MONTHS, 3 WEEKS AND 2 DAYS

Weekly Review 26: JACK REACHER, 4 MONTHS, 3 WEEKS AND 2 DAYS

I spent a lot of time at SIFF screenings this week and got a chance to watch Populaire, The Spectacular Now, Ain’t Them Bodies Saints, V/H/S 2, The Way, Way Back and The East, the later of which are awaiting embargo lifts for reviews,as well as Star Trek Into Darkness. For the most part it...

REVIEW
Weekly Review 25: RUST AND BONE, JOHN DIES AT THE END, SEARCHING FOR SUGARMAN

Weekly Review 25: RUST AND BONE, JOHN DIES AT THE END, SEARCHING FOR SUGARMAN

In theaters this week, I caught The Great Gatsby as well as a number of films over at the Seattle International Film Festival. While I already wrote up reviews for What Maisie Knew, which is arguably the best movie of the year so far, and Mistaken for Strangers, the quasi-documentary on The National, I also...

REVIEW
Weekly Review 24: THIS IS 40, ROBOT AND FRANK

Weekly Review 24: THIS IS 40, ROBOT AND FRANK

Just a couple of flicks from 2012 that I never got to see in this week’s installment of Weekly Review. This is 40 seemed to largely divide critics but I found it to be a very ugly, very unnecessary film. Frank and Robot, however, was a nice little independent drama worthy of a worth if...

REVIEW
Weekly Review 23: HUSTLE AND FLOW, MANHATTAN, LIKE CRAZY, THE PERFECT HOST

Weekly Review 23: HUSTLE AND FLOW, MANHATTAN, LIKE CRAZY, THE PERFECT HOST

This week I had a chance to catch up with some more films filling out that ever-growing list of “movies to see.” I finally got to see Terrence Howard‘s knockout performance in Hustle and Flow, Woody Allen‘s masterpiece Manhattan, a rocky rom-com Like Crazy and a David Hyde Pierce psychopathic-thriller The Perfect Host.    Hustle...

REVIEW
Weekly Review 22: THE INTOUCHABLES, BLACK SNAKE MOAN, FISH TANK

Weekly Review 22: THE INTOUCHABLES, BLACK SNAKE MOAN, FISH TANK

This week in movie watching, I caught up on a few films that I’d been wanting to see from around the world including the French dramedy The Intouchables, Samuel L. Jackson and Christina Rucci deep-south film Black Snake Moan, and a difficult British film that explored some tough issues – Fish Tank.   The Intouchables...

REVIEW
Weekly Review 21: TED, BULLY, HOLY MOTORS and THE KILLING

Weekly Review 21: TED, BULLY, HOLY MOTORS and THE KILLING

Lazing around on the coach has never been so good, especially when it’s considered “work”. This week, I took a look at Seth MacFarlane‘s supposed comedy Ted, the acclaimed foreign film from France Holy Motors, the Weinstein‘s MPAA debacle-filled documentary Bully as well as the first season of AMC‘s The Killing. Ted (2012)    ...

REVIEW
Weekly Review 20: Y TU MAMA TAMBIEN, SMASHED, INSIDIOUS, BACHELORETTE

Weekly Review 20: Y TU MAMA TAMBIEN, SMASHED, INSIDIOUS, BACHELORETTE

This week in movie watching, I finally got around to watching Alfonso Cuaron‘s much laded Y Tu Mama Tambien, the Aaron Paul–Mary Elizabeth Winstead alcoholic indie flick, Smashed, 2011’s overrated horror flop Insidious and the very raunchy and very funny, Bachelorette.   Y Tu Mama También (2001)   What may at first appear to be...