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Portland Film Festival Review: GRU-PDX

Sometimes, to really appreciate what you have, you have to view it through someone else’s eyes. GRU-PDX, which opens the third installation of the Portland Film Festival, is filmmaker Daniel Barosa‘s loving glimpse into Portland’s underground music scene, with all of its quirks. In 2013, the atmospheric indie rock duo Quatro Negro flew to Portland, Or. to make a record with The Helio Sequence. While GRU-PDX started out to document the record-making process, it quickly expanded outward to gaze at Portland’s music scene, both over- and under-ground, looking at the way it’s changed in the wake of the “Portlandia”-hype. Read More

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MAD MAX: FURY ROAD Blu-Ray Review

Synopsis: “Years after the collapse of civilization, the tyrannical Immortan Joe enslaves apocalypse survivors inside the desert fortress the Citadel. When the warrior Imperator Furiosa (Charlize Theron) leads the despot’s five wives in a daring escape, she forges an alliance with Max Rockatansky (Tom Hardy), a loner and former captive. Fortified in the massive, armored truck the War Rig, they try to outrun the ruthless warlord and his henchmen in a deadly high-speed chase through the Wasteland.” Read More

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FEAR THE WALKING DEAD “So Close, Yet So Far” Recap/Review

“Can I have my knife back now?” – Tobias

The action heats up quick, like a saucepan full of nitroglycerin on the stovetop, as the contagion begin to spread. And we haven’t seen anything yet. “So Close, Yet So Far” leaves behind the family melodrama of “Pilot”, or rather, it imports it into this new world that is beginning to form as the old one decays, both with a bang and a whimper. Read More

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Out in Theaters: MEMORIES OF THE SWORD

From the very first shot of Memories of the Sword, the taste of Asian martial arts cinema at its most gravity-defying floods your palette. Much of Crouching Tiger, Hidden Dragon’s DNA has been spliced into Heung-Sik Park‘s South Korean swashbuckler what with all the running up bamboo, nonchalant wind-walking and artful swordsmanship. Its similarities to that cornerstone of modern Asian cinema do not however prove to be its undoing as Memories of the Sword is an often beautifully realized, artfully photographed cinematic experience filled with rich characters and even richer histories.   Read More

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Out in Theaters: 7 CHINESE BROTHERS

The old “I could watch so-and-so read a phone book” adage speaks to an ability to turn the banal into something unexpected and has been liberally applied to the works of anyone from Bill Murray to Daniel Day Lewis. In a similar but distinctly different vein, there’s something mundanely alluring about planting Jason Schwartzman in a room and allowing him to made snide riffs on each and every thing. The Rushmore-starrer possesses uncommon command over his ability to make you feel lesser, even if he’s day drunk, mostly unemployed and in the middle of getting punched in the face and Bob Byington capitalizes insanely on his ability to do such. Read More

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Out in Theaters: WE ARE YOUR FRIENDS

I could rant and rave about EDM culture till the MDMAddicts foam at the mouth. What’s supposed to be about music really only appears to focus on grabbing the nearest thing and doing it — be it man, woman or drug. Famous DJs make trash music that sells because it’s what we all want to hear. A new-age art form that’s endemic in my generation, EDM shows more about how we’ve raged than how we’ve changed. I hoped We Are Your Friends might delve into the DJ lifestyle that’s evolved into an addiction. At some points, it blurs the lines and senses and manages to say something poignant. Then it OD’s and it’s a bad trip from there. Read More

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Out in Theaters: Z FOR ZACHARIAH

*This is a reprint of our 2015 Sundance review

There are so many pivot points in Z for Zachariah that it becomes hard to nail down exactly what director Craig Zobel intended for it. At one point, it seems decidedly about gender politics, at another about race relations, and eventually it boiled down to themes of suspicion, greed and jealousy. Spliced with a domineering amount of ambiguity. All this from a cast of three. To call it thematically rich may be overly generous – maybe thematically crowded would hit the nail on the head more – but nonetheless, it strives for something thoughtful and great, even when it comes up just short. Read More

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Out in Theaters: DIGGING FOR FIRE

*This is a reprint of our 2015 Sundance review.

Displaying the kind of laid back candor that sums up the mumblecore founding member, Joe Swanberg revealed that once you have kids, “life is a clusterfuck.” And so is Digging For Fire. Kinda. A lesser effort in the aftermath of two eruptively sweet victories (Drinking Buddies and Happy Christmas), Digging for Fire takes on the humps and bumps of marriage and the battle of young parenthood with an enviable cast for any director. Read More

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Out in Theaters: TURBO KID

*This is a reprint of our 2015 SXSW review.

This is the future. Bicycles remain the only mode of transport and they scream down rubble road decorated with human skulls, past junk yards littered with bits and bobs of discarded robots and towards the odd outskirts ripe for plundering. The land is overrun with masked miscreants of a steam-punk Road Warrior meets Jason Voorhees variety picking through the remains of a scrapyard Earth. The leader of the bicycled clan, a nefarious crime boss known as Zeus (Michael Ironside), has concocted a way to transform humans into water – now the world’s most precious resource. This is 1997. Read More

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Out in Theaters: THE SUMMER HOUSE

The Summer House is one of those “look how f*cked up the rich are so that the rest of us can feel better about not having any money because at least we’re good people” bones we get thrown so often at the cinema these days. This time around, behind the curtain of the “seemingly put-together” family of three stands a father who, while extraordinarily resourceful in business and prudent in financial planning, conceals a nasty predilection for young boys. Oh yeah, it’s a pedophile movie as well. Read More