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Out in Theaters: MEMORIES OF THE SWORD

From the very first shot of Memories of the Sword, the taste of Asian martial arts cinema at its most gravity-defying floods your palette. Much of Crouching Tiger, Hidden Dragon’s DNA has been spliced into Heung-Sik Park‘s South Korean swashbuckler what with all the running up bamboo, nonchalant wind-walking and artful swordsmanship. Its similarities to that cornerstone of modern Asian cinema do not however prove to be its undoing as Memories of the Sword is an often beautifully realized, artfully photographed cinematic experience filled with rich characters and even richer histories.   Read More

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Talking with Bong Joon-Ho of SNOWPIERCER

I’ve said it one times too many already but for the purpose of this article, it’s really worth reiterating again: I’m a big fan of South Korean film. So it shouldn’t be much of a surprise that I jumped at the opportunity to interview Bong Joon-Ho, a great voice within the oeuvre of South Korean films and a leader of the movement to turn it into a world wide product. Snowpiercer, his latest hit, is an even bigger, bolder move than we saw from his countryman Park Chan-wook who went from directing the OG Oldboy to last year’s ravishing Stoker. Read More

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Out in Theaters: SNOWPIERCER

Global climate change threatens the way of life as we know it (just ask Bill Nye for proof of that.) But not every ailment has an ointment as not every disaster has a solution. Snowpiercer examines a world where a fix-all mechanism for global warming has gone horrible awry and left the world as we know it in frosty tatters, where the only few survivors occupy a train that hasn’t stopped circling the planet for 17 years. It’s a bleak glance into a natural disaster the scope of which we can forecast but not prevent but the true terror lies not in the world outside the train, but the social order which takes hold within it. It’s a distinctly international story (with a cast that’s one gay guy shy of a Benetton ad) about standing up for what’s right and blowing shit up when it refuses to nudge. Rife with sociopolitical commentary and brimming with one-of-a-kind world-building, South Korean director Bong Joon-Ho looked like the perfect guy to take on a thinking man’s actioner of this breed. After all, who else would have dared to end this movie like he did? Read More