Out in Theaters: ‘RAW’
Make no mistake, 'Raw' will prove difficult to swallow for most, what with its unblinking depiction of human-on-human consumption, but those with a stomach of steel will be treated to…
REVIEW
REVIEW
Out in Theaters: ‘LIFE’
Recipe for Daniel Espinosa’s ‘Life’: Steal Alien. Glaze with modern CGI. Lift all signs of horror and tension. Add big marque names. Give them nothing to do. Dose with a heavy-hand…
REVIEW
Out in Theaters: ‘T2 TRAINSPOTTING’
Like a shot of cinema to the main vein, 'T2 Trainspotting' is a lively and thoughtful companion piece to Boyle’s darkly comedic addiction saga. Choose strong performances, choose a rocking playlist,…
FESTIVAL
SXSW ’17 Review: ‘TRAGEDY GIRLS’
Mean Girls meets Scream in Tyler MacIntyre’s trendy satirical midnight horror-comedy Tragedy Girls. Like Heathers for the social media age, MacIntyre’s coming-of-age serial killer misadventure satirizes iPhone-obsessed culture as two popular girls go on a killing spree in order to gain followers, accrue likes and establish a brand. A fucked-up ode to friendship first and foremost,...
FESTIVAL
SXSW ’17 Review: ‘WIN IT ALL’
A more lovable loser there may not be than Jake Johnson’s Eddie Garrett in Win It All. The 18th (!!!) feature from mumblecore originator Joe Swanberg, Win It All is the second “official” collaboration between Swanberg and Johnson, who paired up last year to middling success with Digging for Fire after previously working in a...
FESTIVAL
SXSW ’17 Review: ‘SMALL TOWN CRIME’
The great John Hawkes was relegated to character actor status for far too long. That wiry, weaselly-looking fella who’s cropped in all those movies and tv shows you love who you can never put a name to? It’s probably John Hawkes. In 2010, Hawkes received some long overdo attention with an Academy Award nominee for...
FESTIVAL
SXSW ’17 Review: ‘THE DISASTER ARTIST’
There in perhaps no film in existence that better exemplifies “cult” status than Tommy Wiseau’s The Room. A titanic miff on every level imaginable, Wiseau’s self-produced “romantic drama” is often called the worst movie ever made. And rightfully so. Anyone who’s had the privilege of witnessing this filmic trainwreck is treated to a level of...
FESTIVAL
SXSW ’17 Review: ‘THE MOST HATED WOMAN IN AMERICA’
Stories based on a true story often face the detriment of audiences knowing how it’s all going to end. That will certainly be the case for many with The Most Hated Woman in America, the decade-spanning biopic/thriller focused on controversial public figure Madalyn Murray O’Hair, but it’s people like me (of the millennial variety) who...
FESTIVAL
SXSW ’17 Review: ‘GAME OF DEATH’
Upon reading that Game of Death was an amalgam of a web series stitched together into a feature, I feared the worst. The formats, though not incongruous, ostensibly serve different ends – one drives towards a rollercoaster of micro-climaxes, the other tells a rounded whole narrative arc. It’s a case of a dozen acts versus...
FESTIVAL
SXSW ’17 Review: ‘BABY DRIVER’
It’s been a hot minute since Edgar Wright has graced us with his genius. The man responsible for such perfect fare as Shaun of the Dead and Hot Fuzz, Wright has long been a pioneer of the Trojan horse comedy, trafficking highbrow laughs in with genre trappings. Unlike many of his contemporaries, Wright is known...