This ultra-ultra-low-budget Wakaliwood effort (reportedly made for 200 bucks), which won the audience award at Fantastic Fest (constant nods to Austin probably didn’t hurt), has the same look and feel as the flicks you and your friends made on camcorders back in high school. This nonsensical, irreverent and totally batshit “action” “movie” borders on being...
Landline reunites Obvious Child star Jenny Slate and director Gillian Robespierre for a mid-90s NYC dramedy about a deteriorating family. Slate’s Dana and sister Ali (Abby Quinn) discover their otherwise tame Dad (John Turturro) is having a heated affair. The rub is that Dana has also just turned up the heat on her own extramarital...
Shiver your timbers because ‘Pirates of the Caribbean: Dead Men Tell No Tales’ is a lifeless CGI shipwreck. A wholly soulless swashbuckler, this soap opera on the high-seas is so…
The sheer artistry in just one frame of Endless Poetry is enough to send you into sensory overload. Raw, sexual and bold, blindingly funny until its tragically melancholic, Alejandro Jodorowsky crafts a divine artistic manifesto – a living-play-cum-autobiography about an poetic soul sending off his childhood and paving his way down a road less traveled. Larger...
A potent familial eye-opener probing the fierce competitiveness in various corners of Korean life, Come, Together from Shin Dong-il circles a nuclear family on the brink of collapse; company man Beom-gu has just been fired from his job of 18 years; credit card saleswoman Mi-young battles an esteemed and spoiled co-worker for a prized family...
A father and doctor recounts the story of his daughter’s premature birth in Baltasar Kormákur’s latest thriller, detailing how he would have done anything, anything, to save her. Finnur (Kormákur) is given the chance to do so when her fiendish, drug dealing new beau (Gísli Örn Garðarsson) sucks Anna (Hera Hilmar) into a world of...
This grimy, low-pitched post-apocalyptic dramatic-thriller possesses audiences with its disquieting portrayal of a world made desolate and humanity ugly even though its restraint may wear on audience members aching for…
‘Alien: Covenant’ is a nasty slice of sci-fi complicated by high highs and low lows; Michael Fassbender is outstanding doing double duty as ideological opposites; the lame stable of human…
Brassy and bold in spirit but a hot mess in execution, ‘King Arthur: Legend of the Sword’ suffers middling special effects, a more-boring-than-it-should-be plot and mostly lame, forgettable characters but…
As watchable as a Baby Groot dancing GIF, ‘Guardians of the Galaxy Vol. 2’ merrily continues the saga of its lovable band of space rascals. Upping the emotional ante and…