Competent but unremarkable, ‘Ready or Not 2: Here I Come’ is a horror-comedy sequel that’s mostly just a forgettable extension of the original’s eat-the-satanic-rich premise, expanding the mythology without recapturing…
'Hoppers' is a delightful return to form for Pixar. This story of animals and humans coming together for the common good delivers laughs, awe, and genuine thematic heft, making it…
John Patton Ford's 'How to Make a Killing' is a stylish, propulsive crime caper about a man murdering his way toward a faster inheritance, but its inability to cut beneath the…
Gore Verbinski’s 'Good Luck, Have Fun, Don’t Die' is an over-the-top action-comedy with an impressive ensemble that taps into modern anxieties about screen time and A.I., delivering sharp satire and…
Not without its issues, Emerald Fennell's over-the-top take on 'Wuthering Heights' makes for a deliciously devious dark romance with alluring lead performances from Margot Robbie and Jacob Elordi. The production…
Sundance 2026 delivered one last cinematic dump (in a good way, like powder on a snow-barren mountain) before packing up and leaving Park City for good. From chilling headphone horror to sex comedies with emotional rot, audacious midnight freakouts to quietly devastating documentaries, this year’s lineup proved that the festival still has what it takes...
Joe and Angela’s relationship is in the dumps. The second Joe returns home from his mediocre job at a middling music conservatory, their bickering begins. Taking shoes off at the door, neglecting to pick up a bottle of wine, forgetting about plans — all seem like ripe opportunities to launch a new feud. Their married-couple’s...
Frank (Kingsley Ben-Adir) is up for parole soon, serving a long sentence in a maximum security prison. Years ago, he killed a man, but now considers himself changed. We’re not so convinced. Yes, Frank can be patient and carries himself with a calm stillness, but there’s a rage inside him that boils over when no...
Grounded in a lived-in addict experience, Union County, written and directed by Adam Meeks, is a stripped-down recovery drama anchored by a soft-spoken, quietly emotive performance from Will Poulter. Set in rural Ohio, where the opioid epidemic has left deep scars, Meeks draws from personal history, using his own hometown of Bellefontaine to portray the...
This is not a story of extinction. If Cocaine Bear (also “based on a true story”) gives us a deranged cautionary tale about mankind’s reckless interference with animal instincts, Nuisance Bear offers the quieter, more unsettling counterpoint: what happens when animals start showing up in human spaces not out of curiosity, but desperation.