BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Monday, April 27, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

REVIEWS

FESTIVAL
Sundance ‘26: ‘NIGHT NURSE’ Is a Beguiling Wannabe Midnight Cult Classic

Sundance ‘26: ‘NIGHT NURSE’ Is a Beguiling Wannabe Midnight Cult Classic

“It’s amazing to be needed,” so says the affectionate day nurse Mona (Eleonore Hendricks) in Georgia Bernstein’s bizarre psychosexual horror Night Nurse. She works alongside a troupe of other young women, each assigned to their own older man, in a luxury retirement home that’s deeply unsettling from the jump. Something peculiar is happening there, but...

FESTIVAL
Sundance ‘26: Fury and Fathers Fly Over ‘IF I GO WILL THEY MISS ME’

Sundance ‘26: Fury and Fathers Fly Over ‘IF I GO WILL THEY MISS ME’

There’s something in the air in If I Go Will They Miss Me. Planes drone overhead constantly in this lyrical, Moonlight-coded debut, a feature-length expansion of Walter Thompson-Hernández’s earlier short of the same name. Beneath them, a father and son circle each other in a jagged dance of longing, legacy, and quiet double-edged disappointment. Big...

FESTIVAL
Sundance ‘26: ‘EVERYBODY TO KENMURE’ Captures a City’s Peaceful Rebellion Against Detaining Immigrants

Sundance ‘26: ‘EVERYBODY TO KENMURE’ Captures a City’s Peaceful Rebellion Against Detaining Immigrants

Archival footage reveals a city in flux, swelling amidst years of demonstrations and unrest across Glasgow, Ireland. History falls like dominoes through the flicker of old newscasts. Hope, growth, loss, and resistance all swirling in the streets. On Eid Mubarak 2021, the holiday marking the end of Ramadan, immigration enforcement shows up on Kenmure Street,...

FESTIVAL
Sundance ‘26: ‘SENTIENT’ a Traumatizing Doc About the Horror of Animal Testing

Sundance ‘26: ‘SENTIENT’ a Traumatizing Doc About the Horror of Animal Testing

A profoundly upsetting documentary, Sentient explores the multitudinous horrors of the animal testing infrastructure—not just the physical, psychological, and spiritual toll on the animals, but the damage done to the human technicians, scientists, and doctors complicit in the process, all underpinned by science that may not be as solid as it claims to be. Centered...

FESTIVAL
Sundance ‘26: ‘HOLD ONTO ME’ Sees An Estranged Father-Daughter Bond, Frayed and Fumbling Toward Repair

Sundance ‘26: ‘HOLD ONTO ME’ Sees An Estranged Father-Daughter Bond, Frayed and Fumbling Toward Repair

When 11-year-old Iris’ absentee father, Aris, slinks back into town for his father’s funeral in their sleepy Greek fishing village, she tracks him down to an abandoned shipyard and tries to wedge herself into his pathetic little life. In writer-director Myrsini Aristidou’s Greek-language Hold Onto Me (Κράτα Με), this relationship, performed beautifully by Christos Passalis...

FESTIVAL
Sundance ‘26: ‘TAKE ME HOME’ A Tender Condemnation of American Care

Sundance ‘26: ‘TAKE ME HOME’ A Tender Condemnation of American Care

Anna may be an adult, but her cognitive impairment (unspecified in the film, though decidedly on the autism spectrum) means she requires close care from her adoptive parents. The issue is that they’re now elderly and ailing themselves, hardly ideal caretakers. When Anna’s mother dies unexpectedly, her care falls to her father (Victor Slezak), who...

FESTIVAL
Sundance ‘26: ‘SEIZED’ Is a Chilling Case Study in the Erosion of Press Freedom

Sundance ‘26: ‘SEIZED’ Is a Chilling Case Study in the Erosion of Press Freedom

On August 11, 2023, police in Marion, Kansas, a town where “everyone knows everyone” isn’t just a saying, it’s civic policy, raided the offices of the Marion County Record. They seized computers, phones, and personal devices, even searched the homes of the paper’s staff. A day later, 98-year-old newspaper co-owner Joan Meyer died. Her doctor...

FESTIVAL
Sundance ‘26: ‘TELL ME EVERYTHING’ Severs Familial Ties Amid the AIDS Crisis

Sundance ‘26: ‘TELL ME EVERYTHING’ Severs Familial Ties Amid the AIDS Crisis

Tell Me Everything unfolds like a memory. Or a bad dream that has grown nostalgic with time. From its oversaturated aesthetic to the buoyant Israeli disco influences and gaudy ’80s production design, writer-director Moshe Rosenthal’s Hebrew-language film is soaked in the specificity of time and place. It hopscotches through timelines in Tel Aviv to tell...

FESTIVAL
Sundance ‘26: A Narcissist Elite Rebels Against Being ‘ALL ABOUT THE MONEY’

Sundance ‘26: A Narcissist Elite Rebels Against Being ‘ALL ABOUT THE MONEY’

An extremely wealthy benefactor decides to buy up a plot of land and provide housing for a small faction of self-proclaimed communists in Alford, Massachusetts in the powerful, provocative, and infuriating documentary from Sinéad O’Shea, All About the Money. Her film begins with what should be a startling statistic—that the top 1% of Americans own...