Out in Theaters: ASSASSINATION
Assassination is a must-see Korean action film with the intense fight scenes, socio-political drama, throw-back aesthetics and gunshot wounds to make for an edge-of-your-seat ride through its uniquely serpentine plot.

Assassination is a must-see Korean action film with the intense fight scenes, socio-political drama, throw-back aesthetics and gunshot wounds to make for an edge-of-your-seat ride through its uniquely serpentine plot.

Immediately pending is an unnecessary and out-of-character segment attempting to demonstrate the good that sneakers, or more accurately Nike sneakers, do for the community via Nike’s association with the Doernbecher…

Despite these stylistic missteps, Call Me Lucky demands to be seen, primarily to bring attention not only to the issues surrounding pedophilia, the Catholic church, and the American government against…

For fans of classic psychological thrillers, a la Hitchcock, to clean, clear modern horror, there is something in The Gift for all lovers of edgy cinema that dares to make…

Even with the human torch flaming on, Fantastic Four’s fire only leads to a fantastic burn-out.

A hodgepodge of movie-like parts that fail to ever click, Dark Places is a monumental ball-drop on the part of writer/director Gilles Paquet-Brenner.

The End of the Tour is 2015's first dramatic ace in the hole; from the screenwriting to the direction to the two stunning performances at its center, it's a powder-keg…

Ricki and The Flash is light and familiar; the story doesn’t yield any major surprises and Cody’s script could definitely cut deeper. But while the ending enters hokey territory, Demme…

Disney’s Descendants plays like an extended 2-hour pop music meditation, updating the classic Disney Princess Magic Kingdom with Deadmau5 dubstep and Sia Fuller hyperpop, that is ultimately utterly likable. Descendants is a made-for-TV feature length film, debuting on July 31, 2015 to an audience of 6.6 million, despite underground murmurings and protestations leading up to...

All the characters are trying to find their way out with black maps as we’re seeing the end of DaVinci’s beginning. Bez and Velcoro accept the circle, Frank tries to undo it, and Woodrugh attempts to outrun it. New evidence emerges from the stolen documents that link Catalyst and McCandless to Osip. Velcoro directs the...