Out in Theaters: BAD GRANDPA
Jackass has never pretended seriousness. They consistently play the buffoon and perform painful and self-deprecating stunts to shock bystanders and get belly laughs from audiences. Bad Grandpa is an evolution…
REVIEW
REVIEW
Out in Theaters: THE COUNSELOR
Stepped in the tradition of the Old West, The Counselor leaves you wanting to know more, curious if you'd missed anything, and thirsty for another viewing. With the magic of…
REVIEW
Out in Theaters: WADJDA
Sure to be a healthy contender at this year's Oscars for Best Foreign Language film, Wajdja earns its place on the roster with strong storytelling and historical significance. Giving us…
REVIEW
Out in Theaters: ESCAPE PLAN
You want to like a film like Escape Plan if you’re into low-budget action films, but they didn’t put in enough effort to sell the premise and they didn’t make…
REVIEW
Out in Theaters: ALL IS LOST
The creaks and moans of the tried ship mimic the heaves and hoes of a exasperated Redford, visual cues as foreboding and understated as the hardly visible score from Alex…
REVIEW
Out in Theaters: THE FIFTH ESTATE
With Cumberbatch and The Fifth Estates' once promising Oscar odds now shot to pieces, a flicker of hope remains for meat-headed political junkies, pseudo-intellectuals, and those who relish movies that…
REVIEW
Out in Theaters: CARRIE
It's clear to me that the main issue with this film and with the story, is that it only works if everyone, save for Carrie, is the worst. Otherwise, we're…
REVIEW
Out in Theaters: KILL YOUR DARLINGS
Better thought of as a mildly failed experiment than an abject defeat or a soaring victory, Kill Your Darlings scores big with great performances from its leads but directionless oversight…
REVIEW
Out in Theaters: MACHETE KILLS
Machete Kills is not for everyone. There are plenty of things about this film that, if taken in anything less than a humorous and accommodating mood will offend many outright,…
REVIEW
Out in Theaters: ROMEO AND JULIET
Zefferelli’s 1968 version of the play remains the most competent, true to source, and enduring version of the traditional play (It’s also on Netflix). Luhrmaan’s controversial adaptation broke away from…