Out in Theaters: 12 YEARS A SLAVE
12 Years a Slave will make you want to run the retributive justice of Django Unchained but the sad truth is, this is more fact than fiction. Even when freed,…
REVIEW
REVIEW
Out in Theaters: ABOUT TIME
Regardless of its breezy premise and total lack of a bad bone in its body, this is the sparse romantic drama that totally works. Brushing off the sleazy staples of…
REVIEW
Out in Theaters: LAST VEGAS
But Last Vegas's greatest crime comes with its relentless pursuit to pitch to a younger crowd, the most egregious of which involves mixing a wiener-shaking AWOL Nation gag amongst a…
REVIEW
Out in Theaters: MAN OF TAI CHI
For American audiences unfamiliar with the chest of international martial arts film, outside of the late success of Bruce Lee and Jackie Chan, Man of Tai Chi hopes to be…
REVIEW
Out in Theaters: ENDER'S GAME
While the communist undertones, expressed here as the "hive mentality," may be outdated now, many of the issues seen in Ender's Game are even more relevant today than they were…
REVIEW
Out in Theaters: BAD GRANDPA
Jackass has never pretended seriousness. They consistently play the buffoon and perform painful and self-deprecating stunts to shock bystanders and get belly laughs from audiences. Bad Grandpa is an evolution…
REVIEW
Out in Theaters: THE COUNSELOR
Stepped in the tradition of the Old West, The Counselor leaves you wanting to know more, curious if you'd missed anything, and thirsty for another viewing. With the magic of…
REVIEW
Out in Theaters: WADJDA
Sure to be a healthy contender at this year's Oscars for Best Foreign Language film, Wajdja earns its place on the roster with strong storytelling and historical significance. Giving us…
REVIEW
Out in Theaters: ESCAPE PLAN
You want to like a film like Escape Plan if you’re into low-budget action films, but they didn’t put in enough effort to sell the premise and they didn’t make…
REVIEW
Out in Theaters: ALL IS LOST
The creaks and moans of the tried ship mimic the heaves and hoes of a exasperated Redford, visual cues as foreboding and understated as the hardly visible score from Alex…