Out in Theaters: THE WOLF OF WALL STREET
But it's not the performances alone that shine, as the movie flows smooth as butter. Looking at it as a whole, I wouldn't want a single scene cut and that's…
REVIEW
REVIEW
Out in Theaters: ANCHORMAN 2: THE LEGEND CONTINUES
Without reaching the same highs, Anchorman 2 still provides us with a good belly full of laughs. We can hope that McKay and Ferrell's goal here is to provide another…
REVIEW
Out in Theaters: AMERICAN HUSTLE
You could probably also say that my expectations were too high going into American Hustle (I was ready to jam it in my top ten before even seeing it) but…
REVIEW
Out in Theaters: INSIDE LLEWYN DAVIS
Blemishes and all, Inside Llewyn Davis is that rare movie that only the Coens could pull off. Backed by a killer soundtrack, a gloomy visual landscape, and a star-making performance…
REVIEW
Out in Theaters: SAVING MR. BANKS
Saving Mr. Banks is yet another Disney export of saccharine in the highest degree, an uplifting tale that also serves to reinforce the likeability of a dynasty that has swept…
REVIEW
Out in Theaters: THE HOBBIT: THE DESOLATION OF SMAUG
Apparently, we all have to swallow the pill though and get in line for the next bit, the finale that promises to actually deliver on, you know, being good. Jackson…
REVIEW
Out in Theaters: HER
Anchored with a cast this talented that are each putting their all into each and every scene, Her is lightning in a bottle. Instead of feeling like this future world…
REVIEW
Out in Theaters: OUT OF THE FURNACE
Adding even more depth to the film, the technical elements racket up the tension and help to accentuate the ripe metaphorical elements planted throughout. Dickon Hinchliffe's score, largely leaning on Pearl…
REVIEW
Out in Theaters: MANDELA: LONG WALK TO FREEDOM
Nelson Mandela was a man who championed compromise, so maybe this is a suiting film for his legacy. Instead of being deeply entertaining or deeply informative, it lands somewhere in…
REVIEW
Out in Theaters: PHILOMENA
Stephen Frears' effort is good at twisting our emotions but it's not always clear which way he wants to twist them. Whether or not he's intended to leave his audience…