Out in Theaters: THE MAN FROM U.N.C.L.E.
Style may trump substance in Guy Ritchie's latest effort but when the style is this decadent, the characters this effortlessly likable and the dialogue this deliciously smarmy, you'll still find…
REVIEW
REVIEW
Out in Theaters: PEOPLE, PLACES, THINGS
If there's anything holding People, Places, Things back it's how slight it all feels - another solid entry into the increasingly salient category of elevated rom-com. But we must credit Strouse…
REVIEW
Out in Theaters: THE BOY
Sparsely dominated by scenes of heavy exposition - or rather any dialogue at all - Macniell is able to catch the quiet moments; the death stares, the purposeless shambling, the…
REVIEW
Out in Theaters: ASSASSINATION
Assassination is a must-see Korean action film with the intense fight scenes, socio-political drama, throw-back aesthetics and gunshot wounds to make for an edge-of-your-seat ride through its uniquely serpentine plot.
REVIEW
Documentary Dossier: SNEAKERHEADZ
Immediately pending is an unnecessary and out-of-character segment attempting to demonstrate the good that sneakers, or more accurately Nike sneakers, do for the community via Nike’s association with the Doernbecher…
REVIEW
Documentary Dossier: CALL ME LUCKY
Despite these stylistic missteps, Call Me Lucky demands to be seen, primarily to bring attention not only to the issues surrounding pedophilia, the Catholic church, and the American government against…
REVIEW
Out In Theaters: THE GIFT
For fans of classic psychological thrillers, a la Hitchcock, to clean, clear modern horror, there is something in The Gift for all lovers of edgy cinema that dares to make…
REVIEW
Out in Theaters: FANTASTIC FOUR
Even with the human torch flaming on, Fantastic Four’s fire only leads to a fantastic burn-out.
REVIEW
Out in Theaters: DARK PLACES
A hodgepodge of movie-like parts that fail to ever click, Dark Places is a monumental ball-drop on the part of writer/director Gilles Paquet-Brenner.
REVIEW
Out in Theaters: THE END OF THE TOUR
The End of the Tour is 2015's first dramatic ace in the hole; from the screenwriting to the direction to the two stunning performances at its center, it's a powder-keg…